1. Mai – Helden bei der Arbeit
An eleven-year-old Turkish boy, two young men from a small town, and a cuckolded policeman from the sticks all find their way to Berlin on May Day, where, in the district of Kreuzberg, emotions come to the boil every year.
Sven Taddicken
Jan-Christoph Glaser
Carsten Ludwig
Jakob Ziemnicki
Casts & Crew
Ludwig Trepte
Jacob Matschenz
Oktay Özdemir
Hannah Herzsprung
Cemal Subasi
Peter Kurth
Benjamin Höppner
Torsten Michaelis
Leonie Brandis
Dirk Borchardt
Also Directed by Sven Taddicken
Upon being informed that he is fatally ill with cancer, Max, who works at a used car store, steals money which his boss has gained through illegal means. When fleeing from the scene of the crime Max crashes his car. He is pulled unconscious from the destroyed vehicle by a homely young woman, Emma, who lives alone on a farm where Max decides to stay in order to hide from the police and his boss.
A couple grapples with the difficult, lingering trauma of a sexual assault and must work out how to live with that crime, themselves, and each other.
The era of the feared sea pirates Klaus Störtebeker and Gödeke Michels is coming to an end. After a long period with no booty at last a bulging ship appears on the horizon. However, Störtebeker is badly wounded in the attempted capture and the pirates suffer ignominious defeat. Not only their ship is down the drain - Störtebeker himself is suddenly plagued by anxiety and doubt about his very existence as a pirate. He is drawn to the beautiful country girl Bille, while Michels gets rebuffed by the friesian princess Okka. In the very moment that the crew have mutinied and co-captain Michels is literally at the end of his tether, they discover on board their ramshackle old tub a most unique wonder weapon. Glory days are quickly revived - until the mighty Hanse consolidate their power and weaponry and go to war against the pirates. Störtebeker and Michels are forced to decide: To live as a farmer or to die as a pirate.
A young girl steals a car and drives to the Baltic Sea to bury her dead boyfriend.
Helen Brindel is trapped in a violent marriage and the prison of her faith when she falls in love with a scholar, Professor Eduard Gluck. But he’s a secret porn addict. Slowly, carefully, two very different individuals get to know each other.
Josh is about to turn 30; he's mentally retarded, and likes to play at being a vampire. His sister Nicole is 15, and dealing with her impending womanhood; middle brother Mike is the "normal" one, but in some ways the most childish - his latest conquest is Nadine, who runs the dog kennel at his security guard job. Nic is fixated on getting laid, and watches Mike and Nadine through the skylight with Josh. Josh also gets fixated on sex, though he has no clear idea what it's all about, and in particular on Nadine; to Mike's chagrin, she seems more interested in Josh than in him.
A short love story between a lonely sleeping-car attendant and a lousy toy salesman.
Also Directed by Jan-Christoph Glaser
Edzard is on his way from Berlin to Braunschweig to visit his family. During the trip the reason of his visit becomes clear, or doesn't it? During the trip he meets several people, most of them more than once. How this is possible becomes not quite clear until the end.
No overview found.
17-year-old Guido suffers since his early childhood from neurodermatitis. After being taken to the hospital due to a heavy attack, he starts to question his personal and familiar environment and discovers that his parents’ relationship – which he assumed to be happy and sound – is built on lies. Unable to deal with this disappointment, he flees from it and moves in with his older brother and his roommates...
Also Directed by Carsten Ludwig
Edzard is on his way from Berlin to Braunschweig to visit his family. During the trip the reason of his visit becomes clear, or doesn't it? During the trip he meets several people, most of them more than once. How this is possible becomes not quite clear until the end.
No overview found.
Also Directed by Jakob Ziemnicki
Grumpy baker Grabosch can't bear the thought that his granddaughter, now that her mother has died, will live with her Polish father. He must get Mathilda back, by all means.
Nightmare school, nightmare at school. When Tim, Evelyn and Niclas have to write an exam, strange things happen: The supervisor disappears without a trace, the night is overwhelmed by a deep dark, a black man scurries through the corridors, and the building itself floats detached in the void. To escape this nirvana, the three teenagers have to face their own fears. But do you dare to ...?
In “Death Angel”, Jakob Ziemnicki's film adaptation of the novel “Walküre” by Craig Russel, Peter Lohmeyer alias Jan Fabel does everything possible to eradicate his most bitter flesh as an investigator: the Hamburg chief commissioner once again chases one of the press as the “angel of St. Pauli "described the serial killer who" punished "sex offenders ten years ago, remained undetected and is now apparently active again. However, the chief investigator, along with his crime logs played by Ina Paule Klink and Proschat Madani, comes across puzzling deviations from the previous victim scheme.
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.