17th of May - A film regarding rituals
Norway's National Day on 17 May has over the years evolved to be a day marked by rituals and phrases which may no longer have as much content for most people. The film shows us some of these rituals we know so well, so we can chuckle over May 17.
Anja Breien
Director
Also Directed by Anja Breien
Anja Breien came across a box of glass plate negatives that her grandmother had photographed, many of them with remote trigger. Breien made contact copies of them and discovered a poetic talent. This film is an attempt to get a piece of her grandmother's life, of family life? an attempt to grab a forgotten past. Can we remember others' memories?
A film poem - without words
Ten years have passed since our three heroines' first outing in 1975. Now the women meet at yet another class reunion. Not surprisingly, they are still unwilling to call it a night after the party is over. Husbands and children must celebrate Christmas as best they can, while the women spend quality time drinking and taking stock of their lives.
The film is based on a legend that goes back to 1349, when the black plague reached Norway after ravaging in Europe. Legend of a little girl, the sole survivor plague in the isolated mountain village Justedalen. The girl closely linked to nature and becomes like a wild bird, says the legend.
Gaining unprecedented access to the heart of the Yezidi community, this revealing documentary unveils the ways of a Kurdish religious minority that has traditionally been surrounded by mystery. The elusive portrait of a world that seems to exist and survive outside the boundaries of time, abiding by its own set of eternal rules. A breathtaking journey into the soul at a population remorselessly hunted and persecuted that urges us to take a distance from our established viewpoint.
A short essay from Anja Breien about her father
A political short from Norwegian director Anja Breien.
It's winter in a suburb. A housewife is brutally raped. A young woman becomes a victim of attempted rape. The Police tighten noose on Anders, a young road worker who was seen on the site in both cases. The two women think they recognize him in the lineup, and police investigators use all their strength to solve the case. Anders is a common and simple individual. He could be any youth. The meeting with the ongoing investigation and the solid judiciary, forces him out of a seemingly monotonous, habitual life and forces him to react and think.
The first of Anja Breiens Wives trilogy.
A film about faces, about expressions, about situations. The film is based on a poem by the Danish poet Poul Borum. The recordings are made in the Munch Museum in Oslo and based on the faces of Munch's pictures.
