家
Griffin Yueh Feng
Bu Wan-Cang
Wu Yonggang
Cilong Wang
Yang Xiao-Zhong
Peilin Fang
Li Ping-Qian
Chang Shan-Kun
Xu Xinfu
Yibai Zhou
Casts & Crew
Also Directed by Griffin Yueh Feng
A widow of four gave up two of her children to be raised by an uncle in Singapore. Many years later, just when the widow, now a house maid, is feeling contented by good news of her long gone son and daughter, she accidentally runs into his own son, now a lawyer, and ends up being looked down upon by him. It was a story about how traditional Chinese family and its value was impacted by the change of time. The movie depicted Macau in 1945 to Hong Kong in the mid-60s, moving from poverty after WWII to opulence. The human relationships became complicated and fragile. Many elements uniquely "Hong Kong", such as upper class Chinese, western religions, English speaking and a mixed-culture society are used to contrast the traditional, kind, enduring and forgiving love of a mother.
Respected veteran Yueh Feng made this “Martial Arts World” saga of a masked master of the “Black Sand Hand Technique,” while Lily Ho, the star of "Princess Iron Fan" and "Angel With The Iron Fists", excels in a delightful dual leading role. When she teams up with Shu Pei-pei as a fellow swordswoman to vanquish a murdering robber, the comparisons to "Crouching Tiger, Hidden Dragon" are obvious, even though it came three decades later.
The Goddess of Hua Mountain is imprisoned for falling in love with a mortal, meanwhile her son is raised in secret until he can attempt to free her.
The lead actress is Shu Pei Pei, who is quite forceful as a no-nonsense fighter decked out in an array of colorful swordswoman fashions. I've seen her in nine other films, although I don't recall any which featured her in an action role before. This one is the very last film she did, according to her IMDb filmography. It came at the very end of the Shaw Bros. swordswoman cycle, which had been dominated by Cheng Pei Pei and Shih Szu up to this time. Miss Shu is very good and I wish she'd played more roles like this. Her character is Miss Ba, whose brother is involved in some shady deals with the "rascals" from the title village. When he turns up dead, with a note implicating the film's hero, Luo Hong Xun, Ms Ba vows revenge and goes after Mr. Luo, even though she knew her brother was being used by the bad guys. Eventually, Miss Ba and Mr. Luo team up to seek out the real culprits, culminating in a stunning series of fight sequences in the "village of tigers."
Experienced heroine Li Li-Hua plays a swordswoman out to reclaim her murdered husband's "Green Sword," the sharpest blade in the world. The lovely Li Ching plays the role of Li Li-hua's student, who must take up the fight when her teacher falters.
Gangster boss Red Rose and his evil gang exploit all regions with their raids and kill everyone that tries to stop them. During one these raids, a group of guards die during a brutal fight. Lung Hao, boss of the company, swears revenge for the murdered men!
The story is about a humble man known as the Canton Kid, who just happens to have extraordinary kung fu talent. He’s often found sticking up for the downtrodden and prostitutes and finally paying a price for it.
Ma the flying bandit calls it quits after his daughter is born. His wife, a onetime prostitute, can’t stand poverty and turns him in to the authorities before resuming her profession. Years later, when the daughter is set to get married, the unabashed mother blackmails her own flesh and blood, so Ma has to escape from prison to thwart her.
A young woman lost her fiancé from the plane clash , later she discover that she becomes pregnant with his baby.She question herself what should she do between keep the child safe until she give a birth or she abortion the child.
Also Directed by Bu Wan-Cang
Ostensibly a romantic comedy about mistaken identity, this film stars Kitty Ting Hao in two roles, the first as poor flower girl Fangfang and rich relation of a family in Hong Kong, who arrived in Hong Kong to see if she can feel better with the warmer climate. She meets Xihong, played by Kelly Lai Chen, who is the son in the family in Hong Kong. He is, of course, smitten with her, but when the secret is out, will he still feel the same?
This movie is based on the famous Chinese folklore that is more than one and a half millennium old. The same folklore was what the Disney animation Mulan is based on, and similarly, it was what many Chinese movies/operas/plays based on.
Although Hui-Ying is now married to a husband that offers a life of stability and comfort, over ten years ago her first husband (Jia-Hu) fled from Shanghai to Nanyang (old name for Southeast Asia) to escape capture by a warlord - leaving her and their toddler daughter (Shao-Mei) behind in helpless desperation. Despite the mother's emotional attachment to her absent husband, she has never told the daughter about Jia-Hu so the daughter believes the stepfather is her biological father. But the mother begins to have second thoughts about the stepfather when she sees the teen daughter zealously follow the path paved by him - a path that the mother fears will lead to her daughter's moral decline.
Directed by Wancang Bu.
Melodramatic film about a child prodigy.
The film was filmed for Chiang Kai-shek's re-election of the president. The history teacher introduced the origin of the Youth Festival to the students: Fujian Lin Juemin left his wife and went to Spike to engage in revolutionary work; Guangxi Wei Yiting took the uprising with the master Li Deshan, Sichuan Yu Peirun and Pei’s brothers fought in the righteousness, and a total of 72 martyrs uprising under the leadership of Huang Keqiang , determined to overthrow the full Qing
Also Directed by Wu Yonggang
Evening Rain, a feature film co-directed by Wu Yigong and Wu Yonggang, is about the years of the Cultural Revolution. It won the Outstanding Film Prize issued by the Ministry of Culture in 1980 and the Best Feature Film Prize at the First Golden Rooster Awards in 1981.
The story of the legendary folk female singer of Zhuang minority in Guangxi Autonomous Region.
The story about an old man and a peony fairy.
Silent film, with musical accompaniment. Originally released as a silent motion picture in 1935. Directed by Wu Yonggang,
A remake of The Goddess.
Returning home from a long voyage overseas, a man finds his wife and child living with another man. Fuelled by anger, he murders the other man and is forced to flee justice, until he faces death on a deserted island.
The story of a young prostitute who is trying to give her infant son a good start in life, fighting against the prejudices of others and the attentions of a pimp.
Also Directed by Cilong Wang
Also Directed by Yang Xiao-Zhong
A 1929 B&W silent comedy from Shanghai, describing a vindictive funnyman's efforts to get back at his cheating wife, as aided by his smarter and more moralistic young son.
Also Directed by Peilin Fang
May be lost.
A young woman must pretend to be a man to visit her grandfather, and gets into some romantic scrapes in the process.
Also Directed by Li Ping-Qian
Tang Bohu is smitten by the stunning beauty of Qiuxiang, the maid of Grand Tutor Hua, during his visit to a monastery in Suzhou. Stalking the maid, Tang's affections are finally reciprocated with three charming smiles. To approach the fair maid, Tang seeks work in the Grand Tutor residence as a study companion, and his talents win Hua's attention. As a frustrated suitor, he turns to his resourceful friend Zhu Zhishan for help.
An epic production directed by Li Pingqian in collaboration with eight directors from Mingxing Film Company. Butterfly Wu stars as a hostess who, after leaving Shanghai for ten years, invites her secondary schoolmates for a reunion. They each reminisce about their lives with some having difficulties in marriage or career. Some led destructive lives while others contributed to the country. The film espouses the virtue of Wu who rescued an anti-warlord revolutionary, inferring that women are deemed exemplary if their deeds benefit the country. As one of China's earlier sound movies, the film's vivid images are complemented by a deliberate use of sounds and songs exemplified by the clever juxtaposition of narration and image in two segments.
A sadder than sad story about a fun-loving optimist whose interest in comedy performance is despised by both his family and his wealthy future in-laws, Li’s tragic-comedy follows the 50-year-old father (Bao) as he maintains a dignified façade after losing his long-held accounting job in an occupied Tianjin in the 1940s.
This is a story of how Ru Ji, a farm girl of Chao Kuo, who sacrificed her own life to save her country and people in the year 257 B.C.
Not seen in Hong Kong for many years, A Strange Woman was Li Pingqian's first film at Great Wall Film Studio. Adapted from the play La Tosca by French playwright Victorien Sardou, opera star Xiao Xiangshui (Bai Guang) helps her lover, a revolutionary, to escape from warlords. She finesses with both the head of the secret service (Yan Jun) and her lover's wife, but things do not turn out as planned. Li changed his usual pace to encompass a more conventional and dramatic film plot. Bold and flirtatious in her role, Bai Guang is equally over the top in appearance as Yan Jun. The tension in winning the heroine over drives the plot more than the themes of patriotism and loyalty in love.
Li's first directorial work in Hong Kong is adapted, by himself, from the Hollywood movie The Great Lie (1941) starring Bette Davis. When a husband disappears in an accident, the wife is dismayed by a social butterfly pregnant with her husband's child. To preserve the husband's blood line, the wife takes care of the expectant mother and raises the child. Featuring the two ravishing beauties Li Lihua and Sun Jinglu, Our Husband foregoes juicy feuds between the leads and delivers an allegorical message: parents should provide an ideal environment for the next generation. Addressing the rocky times in China, it is equally overt in its remonstration as Yung Hwa's earlier works, The Soul of China and Sorrows of the Forbidden City.
Also Directed by Chang Shan-Kun
The film was filmed for Chiang Kai-shek's re-election of the president. The history teacher introduced the origin of the Youth Festival to the students: Fujian Lin Juemin left his wife and went to Spike to engage in revolutionary work; Guangxi Wei Yiting took the uprising with the master Li Deshan, Sichuan Yu Peirun and Pei’s brothers fought in the righteousness, and a total of 72 martyrs uprising under the leadership of Huang Keqiang , determined to overthrow the full Qing
This is a 1952 Hong Kong drama film directed by Bu Wancang, Kuang-Chi Tu, Wang Yin and Shankun Zhang. It stars Chou Man-Hua and Li Li-Hua.
Also Directed by Xu Xinfu
An epic production directed by Li Pingqian in collaboration with eight directors from Mingxing Film Company. Butterfly Wu stars as a hostess who, after leaving Shanghai for ten years, invites her secondary schoolmates for a reunion. They each reminisce about their lives with some having difficulties in marriage or career. Some led destructive lives while others contributed to the country. The film espouses the virtue of Wu who rescued an anti-warlord revolutionary, inferring that women are deemed exemplary if their deeds benefit the country. As one of China's earlier sound movies, the film's vivid images are complemented by a deliberate use of sounds and songs exemplified by the clever juxtaposition of narration and image in two segments.