A Black and White Cartoon About Berries

Two young children are controlled by a living severed head whilst three men are living without skin and three skins are hanging up without men filling them.

Salad Fingers is a lonely green man who lives in the middle of nowhere.

An unorthodox valentine's day.

A woman, desperate and alone, turns to a video dating service with shocking results.

Salad Fingers is a green-colored being that enjoys the feeling of rusty metal objects against his skin. In order to increase his enjoyment of rusty metal objects, he seeks out more spoons.

Best known as the cult creator of the animated web series Salad Fingers (SUFF 2007) David Firth creates morbidly fascinating worlds that delve deep into the darkest recesses of the human psyche. It’s fair to say that once you lay eyes on his shorts, it’s hard to shake their visceral effect in a hurry. Eleven years after first screening his work at SUFF, Umbilical World represents a curation of Firth’s most popular shorts to date, each bookended by brand new transitional animations. Using surrealist techniques to explore depression and mental illness with some of the darkest humour this side of the twenty-first century (his work has been featured on Charlie Brooker’s Screenwipe and Mitchell & Webb), Firth has become one of the world’s most significant, independent animators. Umbilical World is a brain-melting celebration of Firth’s short but prized career — a dog-stew of animated fancies from the scabland toybox that is his mind.

A story about a man and his special Jentical and bovine adventures.

A black comedy about how the medical system disregard people's pain, over-prescribe drugs that aren't fully tested, and blame the patients for not getting better.

Trying to make sense of the news. The news won't happen.