A Film for Discussion
This black-and-white experimental film was made collectively by members of one of Australia’s first Women’s Liberation groups. It sought to promote Women’s Liberation by engaging viewers in active discussion, hence its name.
Jeni Thornley
Director
Also Directed by Jeni Thornley
Using almost totally historical material, For Love or Money encompasses the role of Australian women in both paid and unpaid work, over a 200 year period.
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.
Maidens(1978) is an autobiographical essay film, using personal archives, still and moving image, from both domestic and other sources, lyrical narration and emotive music to trace the filmmaking journey of one feminist (the filmmaker herself). Almost four years in the making, Maidens picked up local and international short film awards and became compulsory viewing in women and film courses around the country -- where it sparked much impassioned debate. It remains essential viewing for an enhanced understanding of the moment of awakened consciousness that characterised 1970s feminism.
A female life-model sits for a class of male artists.
A deeply personal study of motherhood as a ‘rite of passage’. It interweaves moments from the filmmaker’s childhood, family life and psychotherapy with world events, including the Holocaust, the Vietnam War and the Chernobyl nuclear accident, to evoke the complex inner world of maternal experience. Grethel’s tale from the fairy story Hansel and Grethel juxtaposes the personal story with a mythical exploration of freedom and individual responsibility.
‘memory film: a filmmaker’s diary’ is an immersive poetic documentary based on Jeni Thornley’s Super8 archive (1974-2003) filmed during the decades of her political and personal filmmaking, while producing ‘Maidens’, ‘To the Other Shore’, ‘Island Home Country’ and the collaborative feature ‘For Love or Money’. Documenting the activism of three decades amidst the intense sexual politics of radical feminism and social change, ‘memory film’ tells the inner story of a journey of liberation – gender fluidity, utopian feminism, love and its tribulations, the pleasure and pain of motherhood, violence against women, the desire for a world free of war and colonizing, and ultimately mortality and impermanence.
