A Good Man
A Good Man follows acclaimed director/choreographer Bill T. Jones for two tumultuous years, as he tackles the most ambitious work of his career, an original dance-theater piece in honor of Abraham Lincoln's Bicentennial.
Bob Hercules
Gordon Quinn
Also Directed by Bob Hercules
In the midst of religious intolerance and extremism, one religion—the Bahá’í Faith—offers a path toward world peace by advocating the oneness of humanity’s major religions. Now, this groundbreaking documentary tells the amazing, little-known story of the origins of the Bahá’í Faith.
The story of Catholic iconoclast Michael Pfleger who made it his mission to transform the drug ravaged south side Chicago community surrounding his parish. In so doing, Father Mike has run directly into conflict with the local Catholic hierarchy. The film explores issues of racism, the power of the media, and the tension between Pfleger's 'gospel of the streets' versus traditional Church theology.
The Joffrey Ballet: Mavericks of American Dance, narrated by Mandy Patinkin, tells the full story of this groundbreaking company, from their founding in 1956 to the present.
Senator and future Presidential candidate Barack Obama makes an emotional journey to his father's homeland of Kenya in Africa.
Eva Mozes Kor, who survived Josef Mengele's cruel twin experiments in the Auschwitz concentration camp, shocks other Holocaust survivors when she decides to forgive the perpetrators as a way of self-healing.
Bob Hercules and Rita Coburn Whack's unprecedented film celebrates Dr. Maya Angelou by weaving her words with rare and intimate archival photographs and videos, which paint hidden moments of her exuberant life during some of America’s most defining civil rights moments. From her upbringing in the Depression-era South to her swinging soirees with Malcolm X in Ghana to her inaugural speech for President Bill Clinton, we are given special access to interviews with Dr. Angelou whose indelible charm and quick wit make it easy to love her.
Also Directed by Gordon Quinn
On October 22, 1963, more than 250,000 students boycotted the Chicago Public Schools to protest racial segregation. Many marched through the city calling for the resignation of School Superintendent Benjamin Willis, who placed trailers, dubbed ‘Willis Wagons,’ on playgrounds and parking lots of overcrowded black schools rather than let them enroll in nearby white schools. Combining unseen archival 16mm footage of the march shot by Kartemquin founder Gordon Quinn with the participants’ reflections today, ’63 Boycott connects the forgotten story of one of the largest northern civil rights demonstrations to contemporary issues around race, education, school closings, and youth activism.
Now We Live on Clifton follows 10 year old Pam Taylor and her 12 year old brother Scott around their multiracial West Lincoln Park neighborhood. The kids worry that they'll be forced out of the neighborhood they grew up in by the gentrification following the expansion of DePaul University.
In 1981-2, the Kartemquin filmmakers returned to the Taylor Chain plant to show labor and management working together against the odds, trying to save the plant from becoming the latest victim of anti-union legislation and the globalization of cheap, exploitable labor. A sequel to Taylor Chain I: A Story in a Union Local.
When the wife of one of the filmmakers decides to give birth without pain medication using the Lamaze method of childbirth - and coached by her own husband - she is confronted with disbelief, superstition and downright hostility. In order to find a doctor who will respect their wishes, the parent-to-be have to make arrangements with a hospital in Wisconsin and race over the state line when the baby comes. This frank and sensitive cinema verity documentary follows the young couple as they learn about natural childbirth, discuss their plans with friends and medical staff, and experience the actual labor and birth of their fist child, Marco
In 1968, striking students at the University of Chicago occupied an administration building. A year later, two expelled young women were asked by their former classmates to talk about the experience as a class project. The women confront the students about their convictions and how far they are willing to go to defend their values.
Winnie, the daughter of a steel worker and a teacher, lives in Gage Park, a Chicago neighborhood that is changing from white to black. Her family struggles with racism, inflation and a threatened strike, as Winnie learns what it means to grow up white, working class, and female.
Made by Kartemquin and a rank-and-file steel workers caucus, the film documents the opposition of the rank-and-file to the no-strike agreement between Steelworkers President I.W. Abel and the ten major steel companies, made without a vote by the membership of the union.
At age 10, aspiring pianist Norman Malone is paralyzed on his right side after being attacked by his father. Over the next several decades he masters the left-hand repertoire in secret, before a chance discovery of his talent leads him towards making his concert debut. Aged 78, he will perform the greatest work in the canon: Ravel’s Piano Concerto for the Left Hand.
Made by Kartemquin and a rank-and-file steel workers caucus, the film documents the opposition of the rank-and-file to the no-strike agreement between Steelworkers President I.W. Abel and the ten major steel companies, made without a vote by the membership of the union. Featuring Staughton Lynd.
UE/Wells follows an organizing drive by the United Electrical Workers Union at the Wells Foundry in Chicago. The multi-ethnic work force of Polish, Arab, Jewish, Hispanic and African American men and women unite together despite the company's efforts to use race as a wedge to divide them.