A Love That Kills

Lorenzo del Escorial (Madrid), where normally, protection and improvement are much more than words. A tale of fears and anxieties, dreams and illusions, games and entertainment, full of nostalgia and the harshness of a reality that was not always happy. Accompany a child grow is a difficult, almost impossible when you have to help you recover and find their way. Aldeas Infantiles SOS does it every day. For an adult, you must first be a child.

A multi-part feature on the governing body of Spain, the Popular Party under Jose María Aznar. Themes include the bombing of Iraq, immigration, U.S. fire in Baghdad, and the manipulation of the media.

A documentary about the life of young Spanish immigrants in Edinburgh, Scotland, who had to leave Spain due to recession and unemployment.

Carlos is 50 years old. It has a cake with candles and seven friends to celebrate him. The police have one dead and seven suspected murder. All they have reasons to kill Carlos, and they all are... friends of the deceased.

As a director and his crew shoot a controversial film about Christopher Columbus in Cochabamba, Bolivia, local people rise up against plans to privatize the water supply.

Alma’s family has been producing quality olive oil in the Baix Maestrat area of Spain’s Castellón for generations. Yet changing pressures in the industry have made their traditional practices economically untenable, and the family is now in the mass-production poultry business. Alma’s grandfather has not spoken in years. Sadness envelopes him, and he no longer wants to eat. His sons—Alma’s father and uncle—are impatient with him, but Alma understands her grandfather. She realizes he has been grieving for a thousand-year-old olive tree that the family has uprooted and sold to pay some debts. (A sadly common reality in Castellón at present.) Unable to bear the idea that her grandfather could die without seeing this terrible wrong corrected, Alma undertakes a quixotic mission to locate the tree and return it to the family orchard, so that her grandfather may have peace in his final days.

Kathmandu, Nepal, early 1990s. Laia, a young teacher from Catalonia, Spain, works at a local school in the slums of the city where poverty reigns. Her personal path, besieged by a harsh sum of indescribable social conditions, will be a struggle against a nefarious educational system, but a journey of self-discovery as well.

Patricia, a woman from Dominican Republic, needs a home and an economic security that her illegal status in Madrid does not provide her. Milady, twenty, born in Havana and dying to travel the world. Marirosi has a job, a home, and the most complete solitude... just like Alfonso, Damián and Carmelo, men from the St. Eulalia, a village lacking both marrying women and future. A bachelors' party forces the encounter between them and the beginning of this bittersweet story of sharing a living.

Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.