A Miss e o Dinossauro

Jorge, bastard child of the infamous Red Light Bandit, decides himself to pursuit a life of crime after meeting with his father, who has been incarcerated for the last 30 years.

Helena Ignez's first film as a director is a homage to American architect and contemporary artist Vito Acconti, who made an urban intervention over a bridge in São Paulo, transforming that space for it to be used as shelter by nearby homeless people.

A marginal version of Brecht’s piece, “Baal”.

A study that unwraps a paradisiac scenery, reaching the subjects of Brazility and its force in the change of habits, breaking taboos and bringing out a magical and original reality throught its characters.

Young directors are filming “The Exhibitionist” in the middle of a farm in a paradise-like region. The film poetically investigates the Brazilian soul, with the Amazon as the center of the world, reflecting on existential issues, the right to sexual freedom and individuality.

A film in which dream and reality intertwine, A Moça do Calendário tells the story of inácio, 40, married, without a permanent job. Ex-street sweeper, he works as a mechanic at Barato da Pesada, where he dreams of the calendar girl.