A River Called Titas

Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.

Bimal is a taxi-driver in a small provincial town. He lives alone, his taxi (an old 1920 Chevrolet jalopy which he named Jagaddal) is his only companion and, although very battered, it is the apple of Bimal's eye.

The tragic story of the beautiful daughter of a middle-class refugee family from East Pakistan. Neeta, the protagonist, sacrifices everything for her unappreciative family.

Life and disciples of legendary Indian classical musician and teacher, 'Guru' of Pandit Ravishankar, 'Baba' Ustad Alauddin Khan.

Amar Lenin is a 1970 black and white documentary film directed by film director Ritwik Ghatak made for Government of West Bengal in the centenary year (1970) of the birth of Vladimir Lenin.

Kanchan, all of eight years old, is always up to pranks and mischief in his village home. He finds his father a cruel demon who keeps his mother oppressed and imprisoned. In his dreams, the big city is El Dorado, until he reaches there.

FTII Diploma film for acting students of 1964-65 by Ritwik Ghatak

In July 1975 Ghatak commenced shooting on the sculptor at Shantiniketan for a stretch of four days. The movie is a biographical (personality study) film where Baij has been featured as a political icon too. In the film, Ramkinkar Baij speaks about the problems that he faces in his life. He speaks about how he has shielded his dripping roof with his oil paintings. Ghatak asks him what he is going to do for the show that is coming soon. Ramkinkar answers to this question: "As the paintings are made by oil on canvas water will not do any damage to them. I can pull them out for the show. But my worry is what I will replace them with to stop the rainwater. It costs hundred rupees to buy grass for thatching. It is very expensive. The film was almost complete but it still remained unfinished for the death of Ritwik Ghatak.

Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist.

The film brings to the screen the determination of the common man of Bangladesh to stand up to tyranny and win his priceless liberty back.