A Stranger Calls at Midnight, A Self-Interview of Sorts

Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.

In this short film, comprising a single shot, a man and woman take a car ride through downtown Manhattan. The woman speaks in double-talk Finnish, which is interpreted into a brilliantly beautiful story through subtitles written by O’Hara.

Alfred Leslie's Birth of a Nation 1965 consisted of separate plays drawing upon the words of O'Hara and the writing of the Marquis de Sade.

Alfred Leslie is a pivotal American artist-painter-filmmaker whose work spans the past fifty years. A contemporary of the Abstract Expressionists and a key figure in the extraordinary social milieu of downtown New York from the 1950s and 60s to the present, his own canvases were amongst the most revered of his peers. In 1964 he made 'Pull My Daisy' with the photographer Robert Frank and in 1966 collaborated with the inimitable poet Frank O'Hara on 'The Last Clean Shirt'. Leslie dramatically moved away from abstraction to make giant almost hyper-real portraits, the majority of which were destroyed in the now infamous fire that ripped through his studio and its neighboring blocks on October 17, 1966. This devastating event, that completely destroyed paintings, films and manuscripts, continues to inform his work today.