A Woman in Revolt

It was a milestone of film as activism, cinema as movement in Japan’s context. Adachi and Wakamatsu went to Beirut on the way back from the Cannes Film Festival. There, in collaboration with the Red Army members and PFLP, they produced this newsreel film depicting the everyday activities of Arab guerrillas as a cinematic narrative on the world revolution.

Masao Adachi's first new film in six years that secretly started filming at the end of August. About the life of Tetsuya Yamagami, suspected assassin of former Prime Minister Shinzo Abe.

A wordless man stages an unexplained hunger strike and the people surrounding him exploit his silence to further their own cause...

Inspired by the true story of a Geisha murdered in a city famous for its baths, Adachi forged here his favorite style, a kind of conceptual documentary recounting the incident in monotone. The same event that at the beginning of Violated Angels escaped every principle of causality, is portrayed here as a singular anti-spectacle.

Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive

During a suicide attack on an airport, the hand grenade of 'M', one of three terrorists, malfunctions, leaving him captured. Exposed to maltreatment in prison, he slowly loses his grip on reality as he is forced to confront his ideological convictions.

The insane gynecologist, Dr. Marukido Sadao (Marquis de Sade), theorizes that a woman is unable to become pregnant if she is writhing in intense pain during intercourse. He sets about testing this new method of birth control by torturing women during sex.

A masterpiece of militant cinema of 1968, filmed on the actual barricades of Adachi's very own Nihon University during the period of social struggles. The film begins in a lengthy free-love session taking the form of a 'play' rape being enacted by a group of aimless, listless and political apathetic students. The subtext intended by Adachi informs the rest of the film – that there is a world of difference between direct action politics, and merely talking the talk.

Desensitized and dissatisfied, a young yet jaded sexual veteran sets out on a journey of self-discovery while teetering on the threshold of womanhood. Yasuko is taking part in an orgy when she realizes that she has lost all feeling - not just physically, but emotionally as well. Now, with the weight of responsibility and adult expectation weighing down on her shoulders, Yasuko attempts to better understand how she could be so empty at such a tender age.

Three high school girls about to take their final exam, secretly plan to ruin the diploma ceremony in order to avenge themselves of that school which treated them as delinquents. Two classmates who discovered their plan decide to join the rebellion. They steal all the graduation certificates, use their charms to get weapons from Jieitai soldiers and establish their base in the mountain.