Adrift

In a small town in Nazi-occupied Slovakia during World War II, decent but timid carpenter Tono is named "Aryan comptroller" of a button store owned by an old Jewish widow, Rozalie. Since the post comes with a salary and standing in the town's corrupt hierarchy, Tono wrestles with greed and guilt as he and Rozalie gradually befriend each other. When the authorities order all Jews in town to be rounded up, Tono faces a moral dilemma unlike any he's known before.

A disturbed, but highly intelligent man is sent to a criminally insane hospital to serve time and rehabilitate. But when he arrives, he discovers it's in fact a closed world where brutality is an everyday occurrence.

Pavel is a Czech partisan fighter in the waning days of the war. Just as peace is declared, Pavel is shot in the spine and sent to the hospital emergency ward. As he fades in and out of consciousness, he recalls the events that led to his participation in the underground. Holding German occupation commander Engelchen responsible for all the horrors and deprivations heaped upon his comrades, Pavel is kept alive by the possibility of recovering and exacting vengeance upon the Nazi officer - no matter how long it takes.

Managers at the construction of a big hydro plant are accused of having embezzled money.

A Jewish boy grows up in 1920s Montreal with a grandfather who tells stories and a father who won't work.

Several bittersweet stories set in a Prague apartment building.

Morris Mishkin is a elderly religious Jew in New York. His wife Fanny is very ill. He's a tailor, but he can't work because his back has given out. He doesn't even have enough money for Fanny's medicine. Finally, a black fellow appears from nowhere in the Mishkin kitchen. He says he's an angel from God, sent to help Mishkin. The black angel is even Jewish, named Alex Levine? But will Morris believe in the angel? And can the angel perform the miracle that he promises? Written by Martin Lewison

Nebraska in the 1880's: bleak, lonely, and far from what you'd expect The Wild West to be. But for a naive Swedish immigrant, the frontier parlor of THE BLUE HOTEL represents the quintessential western fantasy. No one can convince The Swede that his dime-store notions about The West are foolish. He sees murderous intentions all around him and in his terror he turns everybody against him. Inevitably, the Swede attracts tragedy. However, who is responsible? The negative Swede? Or the cliquish hotel guests? Jan Kadar directs this timely story of how society punishes outsiders for being different.