Aida
La Scala went all out for its 1986 production of this grandest of grand operas, with a strong cast and, most important for a video recording, a larger-than-life staging. The Triumph Scene in Act II is by no means Aida's only attraction, but it is the part that makes the strongest and most lasting impression and it is the visual and musical climax of this production. Stage director Luca Ronconi brings on a procession to dwarf all processions: looted treasures, heroic statuary, miserable captives struggling under the lash of whip-bearing slave drivers. On par with these visuals is Lorin Maazel's first-class performance of the popular Grand March with the outstanding La Scala chorus and orchestra. In Act III, the contrasting tranquility of the Nile Scene also gets a visual treatment to match the music's qualities.
Casts & Crew
Maria Chiara
Luciano Pavarotti
Ghena Dimitrova
Nicolai Ghiaurov
Juan Pons
Paata Burchuladze
Ernesto Gavazzi
Francesca Garbi
Giulio Bertola
Lorin Maazel
Also Directed by Derek Bailey
J.R.R.T.: A Study of J.R.R. Tolkien is a 1992 documentary, narrated by Judi Dench, produced to celebrate the centenary of J.R.R. Tolkien's birth. It is sometimes called "J.R.R. Tolkien: A Portrait" and "J.R.R. Tolkien - An Authorized Film Portrait". It features archive footage and audio recordings of J.R.R. Tolkien, and interviews with three of his children Priscilla, John, and Christopher. It also includes interviews with Baillie Tolkien, Robert Murray, Queen Margrethe II of Denmark, Rayner Unwin, Tom Shippey, and Verlyn Flieger.
Recorded live at the Royal Opera House, Covent Garden, London on 2 June 1992.
Live from Glyndebourne Festival 1995. Yakov Kreizberg conducting the Orchestra of the Age of Enlightenment. Directed for the stage by Deborah Warner.
Beethoven's opera Fidelio.
Mussorgsky's quintessential Russian opera is captured live on stage in this performance by the Bolshoi Opera featuring Rimsky-Korsakov's revised vision and starring Evgeny Nesternko and Vladislav Piavko.
Home video featuring The London Philharmonic performing music from Dragon Quest IV: Michibikareshi Monotachi, conducted by composer Koichi Sugiyama.
Live from Glyndebourne 1994
La Traviata was recorded at what was one of Venice's most exquisite 18th-century opera houses, La Fenice, tragically destroyed by fire in 1996, and now rebuilt. This glorious house is where La Traviata was premiered in 1853. In this memorable performance, Slovak soprano Edita Gruberova takes the leading role of Violetta, the tragic heroine, persuaded by Alfredo's father, Giorgio, to sacrifice her happiness with Alfredo for the sake of family honor.
Opera at La Scala Milan
Also Directed by Luca Ronconi
I Vespri Siciliani must me Verdi's most underrated masterpiece. Most people are put off by the fact that it has 5 acts, therefore they conclude that it must be incredibly long. It is long but not as long as some people may fear as most of the acts are under half an hour each. The total length of the DVD in question is 171 minutes, just under 3 hours, including titles at the beginning, applauses and curtain calls between the acts and at the end. The opera contains Verdi's most powerful overture and a number of very elegant arias, duets and ensembles for the principals.
A groundbreaking production of Verdi's masterpiece and its first video recording. Recorded live in Florence in 1977.
Macbeth" was Giuseppe Verdi's first attempt at music drama and also the first manifestation of his profound love for Shakespeare's work. Verdi took great pains with this opera, displaying special enthusiasm for it as he concentrated on the main characters of Lady Macbeth, Macbeth and the witches. This recording of Luca Ronconi's production is conducted by Giuseppe Sinopoli, who brings fresh color to Verdi's score. The cast, headed by Renato Bruson and Mara Zampieri, are strongly supported by a fine-toned and adaptable chorus who ably meet the demands of Verdi's great "chorus opera.
Ruggero Raimondi and Barbara Frittoli star in this 2006 production of the Verdi opera with Zubin Mehta conducting the Maggio Musicale Fiorentino. Giuseppe Verdi's last opera is given new life in this production by Luca Ronconi. Utilizing the sights and social conditions of modern Britain, this version of Shakespeare's THE MERRY WIVES OF WINDSOR keeps the comedy accessible while still featuring all the elements that have made this opera a perennial favorite.
Live from La Scala Wednesday 14 December 1988.
It truly is an historic performance. Domingo looking and singing like a god pouring out golden tones; Renato Bruson sounds, like the sublime Verdian Baritone that he was at that time; Nicolai Ghiaurov proves again that he was one of the greatest "Verdi Basses"; Mirella Freni shows that there was more to her than just being Mimi and Susannah-in fact I can remember reading that at the time of the premiere of this production that there were fist fights (not unusual in La Scala's gallery) between Mirella's many fans--between those fans that just wanting her to continue singing the light lyric repertoire that they were use to her singing and those that felt she should and could sing the lyric-spinto repertoire which, of course, she proved that,indeed, she could (She's still singing more than twenty years later). This performance captures some of the best Verdi singers of the time doing dear ole wonderful Giuseppi proud.
Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. This version is conducted by Riccardo Muti at La Scala, Milan.
Live from La Scala Wednesday 10 December 2003
Egypt and Ethiopia are at war. Radames is appointed commander of the Egyptian forces by the King, whose daughter, Amneris, loves Radames. It is in fact Amneris' Ethiopian slave Aida whom Radames loves. Ramades wins the war against the Ethiopians, capturing Aida's father Amonasro in the process. On his return to Egypt he faces a choice between marrying Amneris or betraying his country through his love for Aida. This new production was a triumphant success when it opened at La Scala in December 1985 and Luciano Pavarotti's long awaited performance as Radames, his first in Italy, was greeted with rapturous applause.
Italian miniseries.