Also Directed by Gonzalo García Pelayo
Miguel is in love with Rosa, a special woman. The relationship did not work at all and decide to break. Rosa then falls for a Sevillian painter who has returned after forty years of exile.
Miguel, who escaped from prison two months before finishing his sentence, thinks only of revenge and finding his beloved Diana.
Making-of of an explicit film in which the plot is intertwined and confused with what happens behind the scenes.
Javier has heard of El Pelícano, an old industrial warehouse corralón in the center of Seville, in which a diverse group of artists, musicians, painters and craftsmen interrelate forming a free, fruitful and luminous community. In this "world apart" live peculiar characters such as El Canijo de Jerez, Pepe Ortega, Orlando, La Chocolata, Chipi, José Guapachá, Miriam y Rorro, Marta, Perpetuo, Jeri, Ana and many others, whom we will get to know in a Tour through the alleys of this popular space where Art looks for you and finds you.
A film director sets out on a road trip to scout locations for her next film. An admirer of Resnais and experimental cinema, she tries to create a story in which her own story is mixed with that of a singer with whom she had a relationship in the past.
Diptych with Rocío y José on the experience of El Rocío, Tres caminos al Rocío preserves the calm and contained gaze of that one. Continuing with that tension between the popular of Pasolini and the heroic of John Ford, as the critics of the time pointed out, it includes the winter pilgrimage along the roads of Seville, Sanlúcar de Barrameda and Huelva.
Lola and Luis are married until Manuel shows up and grabs Lola (and Trini, a florist friend and also a singer). This story of torn love will seem like the lyrics of a copla, the Spanish music genre to which both are dedicated, songs that border on love until death and that classically represent the absolute surrender of women to love. This love for Manuel divides the marriage and the friends.
