Ali & Ava

A story about a bra is recounted in a kitchen while angels with butterfly wings swing in a garden.

This is a home-movie horror film. Its heroine, Stretch, adopts a severed head as her companion and hijacks her own story to investigate it for herself and for her audience.

After her father dies, a young woman returns to her Yorkshire village for the first time in 15 years to claim the family farm she believes is hers.

Random Acts of Intimacy is a film about brief moments of contact and sexual intimacy. It addresses notions of erotic memory, sexual fantasy, sexual desire and romantic love. It explores the possibility that sex with strangers might be the closest we get to realising current notions of romantic love - intense, passionate, impulsive.

Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.

A hyperactive boy and his best friend, a slow-witted youth with an affinity for horses, start collecting scrap metal for a shady dealer.

A psychological micro-drama that moves from the sanctuary of a domestic garden to the half-remembered shadows of a house, Clio Barnard’s Dark Glass peers back into a semi-veiled interior world of fraught, ambivalent memories. Shot on a mobile phone camera to accentuate a feeling of intimacy and immediacy, the flickering nature of the footage also emphasises the film’s uncanny, otherworldly quality.

A film/video installation centered on a 'buggy race', an illegal pony and trap race organised by gypsies on a motorway. The film plays with documentary and cinematic forms to address notions of artificiality and representations of the real.