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Casts & Crew
Vincent Spano
Michael Winslow
Kate Vernon
Jami Gertz
Zohra Lampert
Raymond Serra
Daniel Jordano
Tom Mardirosian
Christina Marie Denihan
Tom Wright
Clifton Powell
Also Directed by Amos Poe
A French special op suffers an existential crisis as he wanders New York City in search of a mission and the requisite connections.
A psychotic saxophone player (played both by Amos Poe and John Lurie) lures victims to deserted spots with his music and then guns them down.
A musical documentary film about the politically minded singer/songwriter Steve Earle.
A new translation of Dante's Divine Comedy channeling the tools of Edward Muybridge and a meditation on the perception of motion in a motion picture.
This is Poe and Krall's first effort, filmed before the more well known Blank Generation. It is even grittier, shakier and more primitive than Blank Generation, and shows a nascent CBGB crowd well before anyone living beyond 14th Street knew anything about it. Worth seeing if it ever turns up at an art house or festival. Among other gems is a very early Blondie on film, before the introduction of a keyboardist, and well before their mega-success in the early 1980s. Most of the band has long hair. There is also a pan shot of the bar where devotees can spot early Talking Heads, Ramones, and other suspect characters nursing warm beer. A key to the time is the lack of any 'punk' insignia - safety pins, etc. - that would later spell doom for the NYC scene. A brief, nostalgic glimpse of a rare and under-documented meeting of rock and, well, art.
A tribute to the bustling beauty of Manhattan, inspired by Andy Warhol's 1964 film "Empire".
The cream of New York new wave/punk filmed live at CBGB's when the scene was just beginning. Includes performances by Patti Smith, Blondie, Television, the Ramones, Talking Heads, the Heartbreakers, the Shirts, Wayne County, the Marbles, the Dolls, Miamis, Harry Toledo, and the Tuff Darts (w/Robert Gordon).
Set in the "not-too distant future", martial law has been declared in The City in leu of a looming earthquake. However, the earthquake is merely a ruse, a story fed to the public so the TWF (True World Forces) can capture an alien spotted over the city some few days earlier. A TWF agent runs into the alien (a *hottie* who can change her appearance, while always remaining - of course - a hottie), and the two go off and, um, compare their respective physiology (yeah, that's it).
The Levys, a glamorous couple, used to make their living robbing golfers, until they met their fatal handicap. Years later, scriptwriter Remy Gravelle decides to observe the Levy progeny as they sail endlessly round Manhattan in their luxury yacht.
A Walk In The Park is, in the words of its protagonist Brian Fass, “a science fiction film, a psychedelic journey back to the womb...” This documentary-like journey, progresses from non-fiction to fiction, and dizzyingly, dazzlingly back again.