And There Was No More Sea

A subtle account of the chimpanzees' behaviour in Burgers Dierenpark in Arnhem, on the occasion of the publication of the book Chimpansee Politiek by ethologist Dr. Frans de Waal. A unique experiment shows us how complex the social strategies in the community of this fascinating anthropoid ape are. Haanstra managed to capture almost all aspects of chimpanzee behaviour: display of skill, teasing and pestering, grooming, resting, playing, motherly behaviour, submission, sex and violence. Eventually, the film was also screened to the apes.

The glass factories of Leerdam and Schiedam commissioned Bert Haanstra to make film about glass manufacturing. The entire process can be seen: the delivery of raw materials, the designing, glass making and glass blowing, the wide range of splendid products that originate from all this. It all shows that glass production is more than a factory work, it is a fascinating, artistic handwork.

How the location and size of an oil field is measured. With animated explanations.

This short ‘free’ film, shot in the glass factories of Leerdam and Schiedam, demonstrates how glass blowers do their work. But thanks to the superbly edited ballet of working hands and the sequence of mechanical motions of the engines, is it especially a cinematic tour de force. That the industry can’t do without man’s involvement is shown in the scene where we hear the voice of Haanstra himself counting the bottles on the conveyor belt, until one bottle breaks…

In 1952, Haanstra made Panta Rhei , another view of Holland through the eyes of a painter and filmmaker. Its poetic images of water, skies and clouds reflect Haanstra's own moods.

In Rembrandt, Haanstra shows that it is possible to make a fascinating film only with images from paintings. He had to travel though all over Europe to numerous museums and private owners in order to film the works of art. In the work of the great painter, Haanstra recognizes his particular interest in man as an individual human being, cutting straight through all the religious motives. And Haanstra also wants to see Rembrandt as an individual.

Bert Haanstra paints a portrait of The Netherlands and the Dutch, in his own unparalleled manner. Partly with the aid of a hidden camera he observes people in the most diverse situations. He shows the unusual in the usual and the usual in the unusual. The harsh years of the post war era of reconstruction have passed and for most people life is better than before.

A perfect, fast and hilarious montage. Using images from Artis (Amsterdam Zoo), Bert Haanstra shows that a couple of similarities can be discovered between human and animal. Particularly the manner in which human and ape are confronted with each other, is significant. The images speak for themselves, human voices or commentary is absent. The ironic music of Pim Jacobs does add an extra dimension to the whole. With regards to human and animal Haanstra limits himself for the time being to this short film, recorded with a hidden camera. Later on, in several big films, he would return to this subject.

The film is a study of the differences and similarities between human and animal behaviour. The first part of the movie focuses on the behaviour of various animal species. The second half is about humans. In the original Dutch version writer Anton Koolhaas, who also wrote the script, provided the voice-over.