Angelika Urban, Sales Assistant, Engaged

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Germany 1939. Hans and Lene marry the day before the war breaks out, and Hans is sent to the Eastern front. During a bombing raid their daughter Anna is born. The house is destroyed and Lene and Anna moves in with relatives in Berlin. Hans survives the war but he is not the same person as in 1939, and he and Lene find it difficult to live together again.

West Berlin, 1974. The revolution didn't happen like it was supposed. Grischa, a 30-year-old actress dissatisfied with standard left-wing politics, interviews working women to find out how they deal with being both mothers and members of society.

Emily, a child, stays with her bourgeois grandparents during frequent periods when her mother makes films. Isabelle wraps a picture, flies to her childhood home to pick up Emily, and plans to leave for her place in France. Old wounds between Isabelle and her parents open around Isabelle's life style. It's also apparent that Isabelle's mother, Paula, is unhappy - with her husband and with her youthful hopes dashed when she became pregnant with Isabelle. Unbeknownst to Isabelle, the co-star of the film she's just made has followed her, checked into a nearby hotel, and wants to begin an affair, even though he's married. Can Isabelle sort it out? What's best for Emily?

The story of the unhappy life of the romantic poet Henrich von Kleist (1777-1811). His last letter to the Prussian State Minister is not dealt with until after his death, he lead his fight against Napolean in written form, his relationships to men are by far more passionate that with women, his engagement was a disaster... (www.german-films.de)

A TV movie in episodes by a group of female filmmakers.

Doctors say that Veronika, a woman in her 20s, is schizophrenic. She is compliant, which makes her an easy target for men. She's religious, believing she is God's favorite child; she searches for Jesus. She has sent a letter to a filmmaker suggesting her life as the subject for a movie. We see her raped than take up with a series of men she believes are Jesus, each willing or insistent on sex. A young man with his own crisis of faith invites her to join a cult. We see her involuntarily committed to an asylum from time to time where medication and constraints await. Her wealthy parents are helpless. Will a medical professional ever talk to her? If one did, would it help?

Extensive dialogue and the tight focus of a single apartment setting marks this romantic and politically symbolic drama about Malgortzata, a Polish photographer (Krystyna Janda) and her married French lover Paul (Sami Frey). The two rendezvous in West Berlin to spend some time together before Malgortzata has to go back to Warsaw and Paul returns to his wife and daughter. Malgortzata is excited about her recent trip to Africa and shows Paul her photos; Paul is upset because she says there is no way she will move to Paris, Warsaw is the only place she wants to be. The two talk, disagree, argue, make-up, and talk again -- but will all this discussion ever resolve a matter of the heart and not the mind? tt0091379

TV movie by Helma Sanders-Brahms.

A documentary film by Helma Sanders-Brahms.