Aspects of Kirkwall 4: The Ba

'Titles within the film are: Numen of the Boughs, Old Boots, Speed Bonny Boat, Lapping Water, Incense, Aha, Brave New World, Things, Terra Firma. A poem started in words is continued in images - Part of another poem as an addition to the picture - Some images formed by direct-on-film animation - Others 'found' by the camera" - MT

"Touches on elemental images; air, water, (and snow), earth and fire (and smoke) all come into it." - MT

"Made in Edinburghs Rose Street, On the Mountain incorporates the whole of a previous film (Rose Street, 1956), including the leader and the titles. The original was shot in black and white, and the negative was lost, and for this reason Tait had the idea of preserving the film by framing it complete in colour , in a contrasted look at the same street in 1974. On the Mountain records and preserves the change. The camera broods and recognises the dustcart . Changed is too gentle a word, the street has ben ripped apart by the developers. An ugly modern precinct has emerged with shabby boutiques and plastic food. The back lane where the children played hopscotch reveals a gap site, a decaying Princess Street, with thumping machines and concrete." – Tamara Krikorian

A series of interiors exploring the work of various businesses - presumably in Kirkwall.

The minutiae of daily life on Edinburgh's Rose Street in the fifties is presented in this impressionistic documentary piece.

Views of some of the main pavilions and exhibits of the Empire Exhibition in Bellahouston Park in Glasgow, including shots of Don and margaret McLachlan and their family on a visit - also includes brief shots of an informal visit by Paul Robeson.

Amateur tale about a company boss and his wife who turn up late for a dinner party hosted by an ambitious young salesman of his company and his wife. After their car breaks down they have to change a wheel in the rain, arriving soaking wet, where their young hosts dry them out and give them a nice meal.

"The film was conceived as a coda to a longer (colour) film, Place of Work, made in the same year. It covers the time of finally emptying a long-time family home, with its personal memories and connection with some of my own work. Fragments of verse, along with young children's voices released into the emptying rooms and staircases, and an ersatz 'pop' music track, clarify the familiar and the alien in the situation." Margaret Tait

In 1990s Edinburgh, Barbara Thorburn reflects on memories of her poet mother, Greta, and her tragic death.

The three portrait sketches of the title are called 'Claudia', 'Fernando Birri' and 'Saulat Rahman'. Presumably made when Margaret Tait was a student at the Centro Sperimentale di Cinematographia, Rome.