Au nom des fils

After his gay cousin dies from hepatitis, young Laurent, who lives with his best friend Carole, falls in love with Cedric, a plant scientist. He's afraid to inform his conservative parents that he is gay.

Loudun, October 1947. Leon Besnard and Marie celebrate their eighteenth wedding anniversary with friends and Ady, a former German prisoner they have "adopted". A few days later, Leon dies. Louise, a friend of the couple's and probably Leon's mistress claims that, on his deathbed, the deceased told her that Marie was poisoning him. The whole town soon condemns Marie and she is arrested and sent to jail. Did she really kill Léon as well as twelve other members of her family as she finds herself charged with?

A young runaway rejects society's condemnation and dares to fulfill his dreams. France, 1930s. 14-year-old orphan Yves Tréguier sees the world through the bars of "educational homes" where he is raised in conditions worthy of a penal colony, and dreams of a dramatic escape across the ocean to New York.

Directed by French Director Christian Faure and released in 2014, The Law brilliantly traces three days, in late Fall 1974, of stormy debate in the French National Assembly, around a bill which would make "voluntary termination of pregnancy" legal. Behind this bill stands a lone woman brilliantly played by a remarkable Emmanuelle Devos (also in The Other Son): Simone Veil the Minister of Health in the Jacques Chirac government during the presidency of Valéry Giscard d'Estaing. During these three days of violent debate Veil, a Jew and Holocaust survivor, is spared nothing: political negotiations, solitude, sparring arguments, insults and violence to her family. In spite of all of this, Veil never wavers.