Also Directed by Sarah Vos
Curacao reveals the collectively repressed legacy of the Dutch on their former colony and offers a disturbing look into the influence this has on the contemporary Curacao community.
A top executive who can't bear to regard himself as a loser, even after nearly dying in the New York marathon; a woman unable to cope with the loss of her wealthy status after her divorce; and an ambitious financial couple confronted with their unresolved family matters. Every Sunday, in their upper class Bloemendaal church, the cutting sermons of reverend Ad van Nieuwpoort shake their faith and existence to the core. What drives people to be crushed by the weight of their ambitions?
The slogan “Meet the icons of modern art” needs to be scraped off the glass wall of the Stedelijk, Amsterdam’s modern art museum. Because precisely who the icons of modern art are is very much the question. Who gets to decide? And who loses out? In 2019, as director Sarah Vos started shooting her documentary, more than 90 percent of art at the Stedelijk was made by white men. That’s got to change, the museum’s director Rein Wolfs believes. But this is easier said than done—so much becomes clear when Vos follows Wolfs and his team as they strive for greater diversity in the collection, as well as among their staff.
A documentary about the frontman for 16 Horsepower and Wovenhand, David Eugene Edwards.
