Also Directed by Albert Serra
Famous lover Casanova (Vicenç Altaió), now long past his prime, meets Count Dracula (Eliseu Huertas) during a journey to Transylvania.
In “Spaces #3”, 7 internationally acclaimed directors shot, after commissioning by the Thessaloniki International Film Festival, a short film at home, making their own timely comment on the new reality that we live in. The project is inspired by the book “Species of Spaces” by the French novelist, filmmaker, documentalist, and essayist, Georges Perec and the days of quarantine. The idea is to create a film at home, using the environment, the people or the animals in that space. The only outdoor areas that may be used are outdoor living spaces, such as the terrace, the garden, the balcony and the stairwell. “My influences” is Albert Serra’s submission.
1774, shortly before the French Revolution, somewhere between Potsdam and Berlin. Madame de Dumeval, the Duke de Tesis and the Duke de Wand, libertines expelled from the puritanical court of Louis XVI, seek the support of the legendary Duc de Walchen, German seducer and freethinker, lonely in a country where hypocrisy and false virtue reign. Their mission is to export libertinage, a philosophy of enlightenment founded on the rejection of moral boundaries and authorities, but moreover to find a safe place to pursue their errant games, where the quest for pleasure no longer obeys laws other than those dictated by unfulfilled desires.
Episodic film, divided into 14 chapters, based on the play De los nombres de Cristo (1586), by Fray Luis de Leon and intended for exhibition "Are You Ready for TV?". Filmed partly in the rooms of MACBA (Museu d'Art Contemporani de Barcelona), is about the difficulty of naming or visually represent abstract concepts.
The film is a collection of one-minute short films created by 60 filmmakers from around the world on the theme of the death of cinema.
August 1715. After going for a walk, Louis XIV feels a pain in his leg. The next days, the king keeps fulfilling his duties and obligations, but his sleep is troubled and he has a serious fever. He barely eats and weakens increasingly. This is the start of the slow agony of the greatest king of France, surrounded by his relatives and doctors.
A poetic portrait of Lluís Serrat Massanellas, an unprofessional actor and friend of Albert Serra since working with him on Honour of the Knights, and his father, Lluís Serrat Batlle.
On an island in French Polynesia a writer returns to her country after having triumphed in France with a novel. However, it is disoriented and with a creative crisis. Given the impossibility of writing new works, he decides to accept a simultaneous translation job with an ambassador. A strange loving attraction begins between them, full of contrasts. Little by little she realizes the cynicism of international politics, with a latent threat of new nuclear tests by the French government. Your love story with the ambassador will be affected by that conflict, and interest and romanticism will mix in a confusing and absorbing way until the sad end.
Trusting in fate, Don Quixote and Sancho pursue their travels in search of adventure day and night. They ride through fields, talking about subjects as varied as spirituality, chivalry and daily life. A growing bond of friendship unites them.
Louis XIV is no newcomer to Albert Serra’s filmography, the hero of his latest opus to date, THE DEATH OF LOUIS XIV (2016). ROI SOLEIL features a twin, even though, in the game of differences, it turns out that there are quite a few. Instead of Jean-Pierre Léaud, a non-professionnal actor whom Serra already worked with in his first films.
