Где ты, моя Зульфия?

A Russian doctor is invited to work at Afghanistan's top hospital during the war, and sees firsthand the carnage caused by the Islamist mujaheddin as they attempt to overthrow the socialist government.

A dying woman’s wish sends her son on a train journey from the steppes of Uzbekistan to the Russian hinterland in search of his father’s grave. Just as the traveler’s home city of Samarkand is situated on the border between East and West, Khamraev balances his film on the edge of two cultures, evoking the soul of Russia and the crumbling beauty of what was once the Silk Road.

During WWII, people in Tashkent working for the war effort, taking in evacuees, bringing war orphans into the family.

A Bolshevik army officer and Uzbek who has been nursed back to health by a young Uzbek woman to whom he is now married, gains responsibility for the local village in 1929. He is urged by comrades in Tashkent to have the local women drop their chadors and veils but he is also told that he should not force this on anyone. His wife declines to take off her veil, so a 14 year old girl steps forward to set the example, over the objections of the local Muslim clergy and most of the village men. After the girl is killed, and the commissar is shot, his wife takes him to the hills to nurse him back to health once again. She begs her husband to leave the village. Instead when he decides to return, she is pressured by her father to continue to wear the veil.

The story of the artist, art historian and art collector Igor Savitsky

Set in the rural village of White Storks, the story tackles the taboo subject of an extramarital affair. Strong-willed Malika, married but childless, is openly consorting with another man with whom she shares a seemingly tender bond.

A romance by Ali Khamraev with musical numbers interspersed

The setting is Central Asia during the Russian civil war. In the post-revolutionary twenties, when the power in European Russia was (officially) "fully in the hands of the workers and peasants", but the fight against the Basmachi rebels was in full swing. When a Red Army detachment captures Sultan Mazar, the brains behind the Bazmachi contingent, a decision is made to escort urgently the prisoner to the Bukhara province. The difficult mission is entrusted to a grizzled mountain trapper and conscientious revolutionary called Mirzo. His expertise is essential to traverse the precarious paths and steep mountain ridges along the way, impossible terrain for the inexperienced. A group consisting of Mirzo, his brother Kova, the Sultan, his daughter Zaranghis and slave Saifulla set off on this journey. They are forced to fight on the mountain ridges as well as negotiate the natural dangers and harsh elements.

The film is set during the last summer before the Great Patriotic War. Three sisters are coming to stay with their grandmother in the village. They imagine the world as a vast and charming "Garden of desires" and all members of the household are waiting for Asya's birthday. Asya has a sense of foreboding regarding the impending grief. Guests come to visit but none of them are her parents. She still does not know that her father was declared an enemy of the people, that tomorrow she will not see her mother and that the war is approaching.

The story of the short but brilliant life of Ergasha Khamraeva, actor and playwright of the Soviet cinema who laid the foundations of the new art in Uzbekistan. The film is dedicated to those who fell during the Great Patriotic War.