Bienvenido a casa

Two old friends. An ex couple. A music tour. Two lives to meet again.

A multi-part feature on the governing body of Spain, the Popular Party under Jose María Aznar. Themes include the bombing of Iraq, immigration, U.S. fire in Baghdad, and the manipulation of the media.

Spain, 1966. An English teacher who travels to Almería when he hears that John Lennon is making a film there befriends with a 16-year-old boy who has run away from home and a young girl who also seems to be running away from something.

Vital reflections of veteran actor and filmmaker Fernando Fernán Gómez.

A long talk with the spanish screenwriter Rafael Azcona, who's credited in the writing of more than 100 films. He's well-known for his colourful scripts, indulging in picaresque characters and flavourful dialogue, but has a wide range of facets. He worked for filmmakers like Luis García Berlanga, Marco Ferreri, Carlos Saura, Fernando Trueba or José Luis García Sánchez.

Circumstances force an unexpected maturity onto 15-year-old Tristan (Fernando Ramallo), an only child who had already been trying quite hard to "grow up" by losing his virginity. He accomplishes this easily enough by arranging for a prostitute to visit his home while his parents are off on a trip. But the life lesson he learns is different from what he'd intended when he learns of his parents' death in an airplane crash. When he moves into his grandparent's home, changes schools and falls in love for the first time, he is no longer able to keep intact his earlier snobberies and childish self-importance. This Spanish-language film is set in the later period of Francisco Franco's rule ('60s and '70s) and features excellent performances by its young cast.

In 1963, under Franco’s dictatorship, two Swedish students travelled to Spain to spread news of the movements in favour of democracy. They contacted a young university troubadour, Chicho Sánchez Ferlosio, and on return to Stockholm set about making an album with the recording of his songs. They called it Canciones de la Resistencia española and kept the singer-songwriter's identity anonymous. The album was an instant hit all over Scandinavia.

Two characters: old and young; teacher and pupil; man and woman. Four walls within which they conjure intellectualism, relive the profession (journalism), explore politics and discover each other.