Bilocation

Short by Grzinic + Smid.

This video dance project is a sort of condensed poetical and cynical look on the situation in the ex-Yugoslav territory. Hysterical and hectic dance movements are put in juxtaposition with surrealistic artificially constructed imageries, based on Magritte's paintings and documentary shoots of the refugee camps, where Bosnian refugees lived in Ljubljana.

The Eastern house is a video that reread some key names and some keysequences from the film history: Antonioni (Blow-up), Coppola (Apocalypsenow), Don Siegel. As well it re-articulates the body and conceptual happenings performed in the Eastern European context. The video is a homageto Nesa Paripovic happenings and body actions from the 1970s in Belgrade. The text is a political intervention in the field of theory regarding the question of global capitalism and the radical position of technology in the cyberworld with a clear reference to a cyberfeminst attitude and positioning. In this respect the question of sex and empathy in the cyberworld is raised as well as the ethical and political questioning of cloning and hybrid identities. As one of the key moment in the video is the re-reading of the Bush’s USA war against Iraq, 2003.

Short by Grzinic + Smid.

After the fall of the Berlin wall, much changed in Yugoslavia, that is now ex-Yugoslavia; a post industrial, post modern, post national, post colonial, post structural society, that can be perhaps summarized in the concept of post socialism? The disintegration of the concept of ideology means that notions are no longer clear. Because we think that we are outside an ideological context, but perhaps we ourselves are the centre of the ideology. It is this idea that corresponds with the thoughts about post socialism in the nineties, and probably the post ideological society of late capitalism as well. The end of the ideological period then perhaps seems imminent. These thoughts are considered in this philosophical media reflection, based on documentary fragments, statements by Peter Weibel and Slavoj Zizek and the works of three artists: Mladen Stilinovic (Zagreb), "Kasimir Malevich" (pseudonym, Belgrade) and IRWIN (Ljubljana).

Short by Grzinic + Smid.

This video dance project is a sort of condensed poetical and cynical look on the situation in the ex-Yugoslav territory. Hysterical and hectic dance movements are put in juxtaposition with surrealistic artificially constructed imageries, based on Magritte's paintings and documentary shoots of the refugee camps, where Bosnian refugees lived in Ljubljana.

The Eastern house is a video that reread some key names and some keysequences from the film history: Antonioni (Blow-up), Coppola (Apocalypsenow), Don Siegel. As well it re-articulates the body and conceptual happenings performed in the Eastern European context. The video is a homageto Nesa Paripovic happenings and body actions from the 1970s in Belgrade. The text is a political intervention in the field of theory regarding the question of global capitalism and the radical position of technology in the cyberworld with a clear reference to a cyberfeminst attitude and positioning. In this respect the question of sex and empathy in the cyberworld is raised as well as the ethical and political questioning of cloning and hybrid identities. As one of the key moment in the video is the re-reading of the Bush’s USA war against Iraq, 2003.

Short by Grzinic + Smid.

After the fall of the Berlin wall, much changed in Yugoslavia, that is now ex-Yugoslavia; a post industrial, post modern, post national, post colonial, post structural society, that can be perhaps summarized in the concept of post socialism? The disintegration of the concept of ideology means that notions are no longer clear. Because we think that we are outside an ideological context, but perhaps we ourselves are the centre of the ideology. It is this idea that corresponds with the thoughts about post socialism in the nineties, and probably the post ideological society of late capitalism as well. The end of the ideological period then perhaps seems imminent. These thoughts are considered in this philosophical media reflection, based on documentary fragments, statements by Peter Weibel and Slavoj Zizek and the works of three artists: Mladen Stilinovic (Zagreb), "Kasimir Malevich" (pseudonym, Belgrade) and IRWIN (Ljubljana).