Blitz

McQueen lies in bed in a Paris hotel, watching a dubbed TV programme about American special forces being trained for combat in Afghanistan. Shot using a domestic digital camera, the artist's body is illuminated by the flickering glow of the TV screen.

An exploration of the sensory experience of the TauTona gold mine in South Africa, showing migrant labourers working in dark, claustrophobic environments and the ear-splitting noise of drilling. The TauTona mine in South Africa, known as 'Western Deep' is the world's deepest gold mine. Employing more than 5,000 people, it operates twenty-four hours day. The film beings in complete darkness as the miners descend three-and-a-half kilometres underground. McQueen documents an intense work regime where the temperature can reach over ninety degrees celsius. Accompanied by jarring sounds created by the mechanical equipment, Western Deep is a hellish representation of labour that makes the silent resolve of the miners all the more powerful.

A police shootout leaves four thieves dead during an explosive armed robbery attempt in Chicago. Their widows have nothing in common except a debt left behind by their spouses' criminal activities. Hoping to forge a future on their own terms, they join forces to pull off a heist.

Brandon, a thirty-something man living in New York, eludes intimacy with women but feeds his deepest desires with a compulsive addiction to sex. When his younger sister temporarily moves into his apartment, stirring up bitter memories of their shared painful past, Brandon's life, like his fragile mind, gets out of control…

In the pre-Civil War United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery. Facing cruelty as well as unexpected kindnesses Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon’s chance meeting with a Canadian abolitionist will forever alter his life.

Ashes (2002-2015) a double video projection, tells the story of a young Caribbean man known by this name. In 2002 while shooting Caribs' Leap in Grenada, McQueen met and filmed a young man called Ashes, but the footage was not used. Many years later he learned that Ashes had been killed. McQueen decided to create a tribute to him, combining old and new footage. On one side of the screen, Ashes is full of life, his boat moving towards a seemingly unending horizon. The other side shows his tomb being constructed and the etching of a memorial plaque for his grave. Over the soundtrack, two local men tell the story of Ashes's untimely death.

Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.

Two passionate lovers go off on a dirty weekend in London's Hotel Café Royal.

Spotlights the true story of Leroy Logan, who at a young age saw his father assaulted by two policemen, motivating him to join the Metropolitan Police and change their racist attitudes from within. Part of Steve McQueen’s Small Axe series of films.

Spotlights the true story of Leroy Logan, who at a young age saw his father assaulted by two policemen, motivating him to join the Metropolitan Police and change their racist attitudes from within. Part of Steve McQueen's Small Axe series of films.