Available on
Blood and Sand
Juan is the son of a poor widow in Seville. Against his mother's wishes he pursues a career as toreador. He rapidly gains national prominence, and takes his childhood sweetheart Carmen as his bride. He meets the Marquis' daughter Dona Sol, and finds himself in the awkward position of being in love with two women, which threatens the stability of his family and his position in society. He finds interesting parallels in the life of the infamous bandit Plumitas when they eventually meet by chance.
Fred Niblo
Dorothy Arzner
Casts & Crew
Rudolph Valentino
Nita Naldi
Walter Long
Lila Lee
Rosa Rosanova
George Field
Leo White
Rosita Marstini
Charles Belcher
Fred Becker
Jack Winn
Harry Lamont
Gilbert Clayton
George Periolat
Sidney De Gray
Dorcas Matthews
W.E. Lawrence
Rafael Negrete
Louise Emmons
Also Directed by Fred Niblo
Erstwhile childhood friends, Judah Ben-Hur and Messala meet again as adults, this time with Roman officer Messala as conqueror and Judah as a wealthy, though conquered, Israelite. A slip of a brick during a Roman parade causes Judah to be sent off as a galley slave, his property confiscated and his mother and sister imprisoned. Years later, as a result of his determination to stay alive and his willingness to aid his Roman master, Judah returns to his homeland an exalted and wealthy Roman athlete. Unable to find his mother and sister, and believing them dead, he can think of nothing else than revenge against Messala.
A gambler, hopelessly in debt, agrees to pay off his debt by allowing his creditor to take out a life insurance policy on him and collecting once the one-year suicide clause has elapsed.
Set during the 16th-century Spanish occupation of Flanders, the story concentrates on the fiercely patriotic Mark Van Ryke (Colman). Donning the guise of "Leatherface," a swashbuckling masked avenger, Van Ryke performs his derring-do on behalf of the Prince of Orange (Nigel de Brulier). Naturally, Van Ruke considers beautiful Spanish aristocrat Donna Leonora de Vargas (Vilma Banky) to be a bitter enemy, and the feeling is mutual. To no one's surprise, however, Van Ryke and Donna Leonara eventually fall in love (hence the title). The pulse-pounding climax finds Van Ryke riding hell-for-leather through a rainstorm to warn the Flemish troops about the Spaniards' plans to burn the city of Ghent to the ground. Two Lovers was based on Madame Orczy's novel Leatherface, and adapted for the screen by Alice Duer Miller.
A silent film drama based on the Broadway play of the same name by James Forbes..
Idealistic young American falls under the influence of Communist agitators.
Anne Mertons (Enid Bennett) is the unhappy wife of Hugo Mertons (Robert McKim), an unscrupulous brute. When the two struggle over a gun, Hugo is shot. Anne, thinking he is dead, flees to Hawaii, where she falls in love with Rodney Heathe (Jack Holt), who owns a sugar plantation.
Betsy Thorne (Bennett) travels to investigate a missing man where she overhears a conversation between the sheriff and an imported detective that reporters are barred from the house and grounds where the mystery has taken place. She comes across a maid sent to the house from Richmond, and so frightens her that she gains a chance to act in her place. During the first night at the house she is terrified when she sees a ghostly figure come from the grand organ. The house is roused by her screams as she flees the room, and she is forbidden from going back there by the sister of the missing man. During the following night she is locked in her room during a thunderstorm, and while escaping through a window sees the ghostly figure again in the family graveyard. She makes an investigation which starts from a particular chord played at the grand organ. They find that certain keys cause a secret door in the organ to open, revealing a secret passage to a family tomb.
Adrienne, the queen of the Frivolity Theater, is a self-centered vamp who steals other women's husbands. Her current conquest is Phillip Overman, and when Overman's wife pleads with the vamp to free her husband, Adrienne turns a deaf ear. Daisy, a chorine, is shocked by her colleague's callousness, but Adrienne asserts that she is only being practical. When she meets Pittsburgh millionaire Dave Wallace, Adrienne falls in love and casts Overman aside. Soon after their marriage, Adrienne learns that her husband is having an affair with Daisy, who is now the reigning queen of Broadway. She pleads with Daisy to release her husband, who responds by repeating the philosophy that Adrienne had given her. Despondently boarding a boat bound for Europe, Adrienne sees the Overmans, who are now happily reunited, and realizes the shallowness of her life.
THE DEVIL DANCER was highly praised at time of release for its exquisite cinematography, especially in the use of light and shadow. The film received an Academy Award nomination in this category. Sadly, it is among the lost. No prints or negatives are known to survive.
A crusader tries to keep a dope dealer from corrupting children.
Also Directed by Dorothy Arzner
Harriet, Walter Craig's wife, is an upper-class woman obsessed with control, material possessions and social status whose behavior makes difficult her relationship with domestic service and family members.
A young American girl in Paris falls in love with a handsome nobleman, but he is about to wed in an arranged marriage. She hatches a plan to overcome that obstacle and get her man.
This 1930 film, a collection of songs and sketches showcasing Paramount Studios' contract stars, credits 11 directors (including Dorothy Arzner, Ernst Lubitsch, Victor Schertzinger and Edmund Goulding). The cast features Clara Bow, Gary Cooper, Fredric March, Jean Arthur, William Powell, Maurice Chevalier, Kay Francis, Buddy Rogers, Jack Oakie, Stuart Erwin and Nancy Carroll.
A ne'er-do-well husband, after years of abusing his wife, disappears with their son, and winds up selling him to a wealthy family. Years later, the wife, now a world-famous opera singer, finally has enough time and money to begin a search for him.
Film by Dorothy Arzner.
A romance develops between a happily married middle-aged British politician and an adventurous young aviatrix.
A poor singer in a bar masquerades a rich society woman thanks to a rich benefactor.
Young Parisian Nana wards off of a boozed-up military officer at a local restaurant, and fellow diner Gaston Greiner is so impressed with her pluck that he decides to make her a performer at his musical theater. Soon, Nana is a star, and the girlfriend of Greiner and two other men. But when he learns that she's been getting around, Greiner fires her. As she tries to reclaim her singing job while dodging yet another suitor, her treachery might get the better of her.
A drunken newspaperman, Jerry Corbett, is rescued from his alcoholic haze by an heiress, Joan Prentice, whose love sobers him up and encourages him to write a play, but he lapses back into dipsomania.
Nancy Carroll stars in Manhattan Cocktail as Babs, a college coed who dreams of becoming a famous actress. Joining up with her campus chums Fred (Richard Arlen) and Bob (Danny O'Shea), likewise aspiring thespians, Babes heads to Broadway with stars in her eyes. The winsome threesome are quickly disillusioned by the heartless machinations of nasty producer Renov (Paul Lukas) and his harridan wife (Lilyan Tashman). Before the plot proper gets under way, the audience is regaled with a cute "mythological" prologue, featuring the same three leading actors. Manhattan Cocktail was a silent picture, except for two brief musical numbers showcasing Nancy Carroll.