Boat People

A superb package of shorts by four leading East Asian directors: Ann Hui on a male-to-female sex change, Kim Tae-yong on an emotional imposture, Gu Changwei on pregnancy in China and Tsai Ming-Liang on time and the city of Hong Kong.

A 12-year-old boy from America experiences the clash of cultures and the generation gap when he visits his grandfather in Shanghai.

The story is based on the popular novel developed from folk legend. It goes that the Manchurian emperor Qianlong of China (circa 18th Century) was actually the son of a Han Chinese, the subject ethnicity. His brother of blood, Chen Jialuo just happened to be the chief of the Red Flower Society, an anti-Manchu secret society. Chen, a learned scholar, thought he could get his brother turn his back on the Manchu and restore the Han Chinese reign. But the story was ended by brutal clearence of the society members. It reflects one of the dark pages in Chinese culture, that ethics and humanity always become impotent when countered with power.

Princess Fragrance is a 1987 Hong Kong film based on Louis Cha's novel The Book and the Sword. The film is a sequel to The Romance of Book and Sword, which was released earlier in the same month and was also directed by Ann Hui.

Lam Yiu Kwok, a Hong Kong secondary school teacher is facing a mid-life crisis. While he has only his pride and Chinese poetry to fall back on, his peers are successful businessmen and professionals who flaunt their extravagant lifestyles at reunion dinners. After many years, Lam is still living in a modest apartment with his wife, Man Ching and two teenage sons. However financial stagnancy is not his only problem. An old flame of Man Ching (who was the couple's former schoolteacher) returns to Hong Kong and uncovers old wounds. Man Ching feels obliged to help her ex-lover. Meanwhile, Yiu Kwok faces another dilemma: Choy Lam, a precocious student, has a crush on him and the 'forbidden fruit' looks more and more tempting in the light of his wife's 'infidelity'. Will he succumb to young charms and let history repeat itself?

In Japanese-occupied Hong Kong, a school teacher and her would-be-fiancé link up with Chinese guerrilla fighters, forging their own path to freedom.

The relationship between a middle-aged man (Andy Lau) and the elderly woman (Deanie Ip), who has been the family's helper for sixty years.

A few years in the life of Ah Kam, starting with her joining action director Master Tung's team of regulars.

Two women with complex family backgrounds coincided on the wrong path of drug abuse.

The Way We Are is a respectful, unglamorous, and serenely charming portrait of regular people and a Hong Kong town that normally gets a bad rap. It may put you to sleep, but the visit and Ann Hui's quiet touch are exceptionally worthwhile.