Bolero de amor

Antoñito is a bachelor who works in a cabaret as a clarinetist. He has put an advertisement in the newspaper, looking for a good and honest girl, and to which responds Rocío, who escapes from her native Córdoba to hide the embarrassment of her pregnancy. The coexistence with the naive clarinetist, who refuses the insinuations of a co-worker dedicated to prostitution, who idolizes his deceased mother and keeps as a relic the orthopedic leg of his late father, is not easy. The other men will tend their ties around Rocío, that makes way in the world of the spectacle pretending to be blind. When she can no longer conceal that she is pregnant, Antoñito decides to give his name to the fruit of sin.

Lozana, a young, beautiful and clever woman decides to move to the city after a tragic love story. There, she meets Rampin, a naughty rascal who soon finds out that her wit surpasses his own by a handful. When he falls in love with her, he can't help suffering as he sees how she plays not only with him, but with all of her lovers as well.

A brief portrait of famous and brave bullfighter Manuel Benítez el Corbobés; an account on still photos of his triumphs and failures.

Antonio Castro, Sinatra, is a fighter of life working in an old cabaret in Barcelona imitating Frank Sinatra, accompanied in his show by Groucho Marx, Marlene Dietrich and Lola Flores. But one day, the sky dresses in gray for him; his wife, who works as a waitress in the same place, decides to leave him.

Mercedes (Neus Asensi) Mariángeles (Ana Risueño) and Carmen (Miriam Diaz Aroca) need to escape something: the stress of the job, a divorce or a gray and boring existence. And all three are looking for something: a love affair in an exotic country. The destination is Tunisia, land of contrasts, from the deserts and beaches. But far from land into a paradise unprecedented journey undertaken with a group of quirky characters.

A film between documentary and creation shows a self-portrait of a original girl from La Mancha, who came to Barcelona 20 years ago and during this time, has been practicing street prostitution in Barcelona's Raval district.

On November 1, 1968 were found dead bodies of two people, a man and a woman in apartment number 13 of the C / Cuenca 78, Valencia. She was Emilia Catalina Arguelles, better known as Gracia Imperio. The news of his death had a big impact on the city, as it was an artist of great triumphs in Spain, but mainly in the city of Valencia. 40 years later, is an investigation of the facts by witnesses and friends of the victims to try to clear up the mystery surrounding the case of death of the famous starlet and her young lover, while analyzing the social conditions of the time.

The service staff of a luxurious Catalan farmhouse has prepared a large banquet because the arrival of the guests is expected. Everything is ready, but nobody arrives. Then, the housekeeper and the other servants will occupy for a few moments the place of their masters and, like them, they will behave despotically.

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.