Bonanza

A separated yet self-sufficient craftswoman puts up a friend who is also separating. The hostess has three teenage children, and the arrival of her guest will interfere with their domestic harmony, apart from slowly but surely causing a hormonal surge in one of the boys.

An absurd crash on the route causes the meeting between Freddy Fassano and "El Descanso", an old spa hotel from the 1930s, totally in ruins. Seduced by the idea of ​​recovering the good life of previous times, Freddy leads the extravagant project to reopen the hotel, gathering a diverse group of collaborators. But everything succumbs to the appearance of Doctor McDonell, a notable lawyer in the area who, alerted by the presence of strangers in the place, unleashes an unpredictable battle whose outcome produced the mysterious history of the hotel.

Julia works as a waitress on the night shift of the Comodoro Rivadavia casino. There, she meets Gwynfor, a customer who offers an interesting work opportunity in the oil industry. And so, what starts out as a morning appointment, résumé in hand, becomes a nightmarish journey in the middle of the arid landscape of Patagonia, a space Ulises Rosell uses with the cinematic power of a western, with the inclemency of the sun and the darkness of night ravaging the protagonists. Inspired by the stories of captive women from the 19th century,

With BONANZA (FID 2002), his first film, Ulisses Rosell took us on a journey to meet a tribe of extremely colourful Argentinian poachers. This new dive into exotica takes us to the Wichi Indians in Chaco, Argentina, who have not long been sedentary, with an American ethnologist as our guide. To some degree a repentant ethnologist, John Palmer, rather than finishing his thesis, married a native and had a large family. Rather than observing it from a distance, he chose to become part of this discreet and beleaguered community. He strives to support their cause, getting involved in law suits and confronting companies which pillage land that belongs to the Indians with complete impunity.

Chlorinda, neighbor to Asunción, in Paraguay, is small and full of shops, stalls and warehouses. The city converges towards the "La Fraternidad" Catwalk, forty meters of wooden bridge, which crosses a nonexistent stream-boundary.