Bones of the Forest
An exploration of the forestry industry, the film depicts a variety of views on the conflict between logging and environmentalism, including those of loggers, alternative forestry practitioners, a vice-president of MacMillan Bloedel, First Nations elders and environmental activists.
Velcrow Ripper
Heather Frise
Also Directed by Velcrow Ripper
OCCUPY LOVE captures the heart of the movement of movements that is sweeping the planet in response to today's economic and environmental crises. 'Philosopher-filmmaker' Velcrow Ripper travels to history-making hot spots, asking the question, 'How can crisis create a love story?' Scenes include the Egyptian revolution in Tahrir Square, Spain's Indignado movement, Occupy Wall Street NYC, The Maple Spring in Quebec, and indigenous activists at the Alberta Tar Sands. The film explores the aspects of this arising that take the form of what Martin Luther King Jr. called 'Love in action.' Woven throughout is a deep exploration on the meaning and importance of 'public love' - the love of humanity, the love of the planet.
A look at the current global climate crisis and how we're adapting to these changes.
Captures the exciting movement of Spiritual Activism that is exploding around the planet, and the powerful personalities who are igniting it.
A documentary that searches for glimmers of hope within humanity's darkest moments.
Also Directed by Heather Frise
“My mother has been living with me and my teenaged daughter part time for the last year. When the pandemic hit we lost our personal support workers, and I found myself juggling caretaking, homeschooling and work. Because of Alzheimer’s, my mother’s mind is slowly departing, but her essence has not changed. Much of what she has been experiencing for years –profound disorientation, anxiety, mental fog–is what I was experiencing during isolation. With snippets of night time conversations and a stack of my drawings, I’ve created a sense of our world together — a world of overlapping thought, lapses, bent time, lost words, the absurd, and love.” – Heather Frise
Vancouver composer and sound ecologist Hildegard Westerkamp was the only woman to participate in the original version of the World Soundscape project that not only brought new ears to city life, but laid the foundation for noise bylaws/pollution standards, radically upending traditional notions of music and the role of the composer. Hildegard has brought the art of sound walking to groups around the world, and she has formulated a deep feminist ecology rooted in the body. The film offers a place for the viewer to listen, the necessary precondition for personal and societal change.
A love story set in the global anti-austerity demonstrations. As citizens take back their streets, two women meet and fall in love. What geometry of desire will help overthrow the state? What micro-politics of sharing and communality will provide fuel for demonstrations that will remove and replace the neo-liberal consensus? Cast in a palimpsest of images and sounds, as if there were no way to separate inside and out, the street and the bedroom.