Boys Life 6

A pizza deliveryman develops a bond with a girl nearly half his age.

It's the 1990s. Toby, just out of college in Wisconsin, comes to Manhattan to spend the summer with his older cousin, Packard, a gay man whose lover John R. has just died of AIDS. Toby is shy, the openly-gay society around him makes him nervous. Packard gives Toby a pair of John R.'s shoes; when Toby puts them on, he has powerful visions of the pre-AIDS scene in the 1970s, as if he's there. He also takes on a different personality when he wears the shoes, more sure of himself, able to express his interest in men. Wearing the shoes, Toby goes to a bar, hooks up with Dick, and wakes up in Dick's bed. How will he handle it? And what will happen to the shoes?

H.G. (Corey Sorenson) living a happy and openly gay life in New York must return to Iowa to help his alcoholic father save the family farm. He no longer feels he is a member of his family tribe but digs into the work along side his father and a hired hand, Ryan (Lachlan Neiboer), who has his own set of problems raising his younger brothers and sisters following the death of their parents. He comes out to his high school sweetheart, Dawn (Taylor Gwynn) who raises a ruckus at the nrews and outs him to the whole town, forcing his father to take to his bed with a bottle. Alone one night in the most desolate part of town he runs into Ryan and discover the farm hand is not exactly the ladies man people think he is.

Shane, a Jersey boy with big dreams, crosses the river in hopes of finding a more exciting life at Studio 54. When Steve Rubell, the mastermind behind the infamous disco, plucks Shane from the sea of faces clamoring to get inside his club, Shane not only gets his foot in the door, but lands a coveted job behind the bar – and a front-row seat at the most legendary party on the planet.

In these sexy, fun and darkly entertaining boys shorts, we see the hilarious terrors of gay childhood, an Internet hook-up with unexpected motivation and what happens when you hate musicals. You might wonder if theres hope for a gay Lothario, and sometimes you'll see that when you go home, the end is just the beginning.

Compilation of four short films about homoerotic situations involving young men. In "Trevor", by Peggy Rajski, a teenager faces homophobia and falls in love for the first time. Tom DeCerchio directed "Nunzio's Second Cousin", telling the story of a gay cop who forces a gay-basher to come to his house and have dinner with his family. In "Alkali, Iowa", by Mark Christopher, a young gay man finds out some of his father's past secrets. And "Must Be the Music", by Nickolas Perry, follows four teenagers looking for love in nightclubs.

On his family's farm in rural Iowa, young Jack Gudmanson is wrestling with his sexual identity, not an easy thing to do in the macho world of the Midwest. But things become clearer for him when he discovers via a rusty old lunch box filled with gay magazines that his father, killed in Vietnam, led a double life down on the farm. But as liberating as the discovery is for Jack, it is painful for his grandfather and mother, who have tried for years to keep it a family secret. Now Jack must decide whether to share this new information with his younger sister or allow it to remain buried a while longer.

The successful short film compilation series continues with six outstanding films focused on school and college-age youth.

Two very different Scottish lads meet each day after school at a nearby peat bog. Only today Stu is late.

When an Indian mother finds out her son is the victim of a vicious bully, she delivers her own brand of vigilante justice.

South Africa, Free State region, isolated stronghold to the Afrikaans white ethnic minority culture. In this conservative farming territory obsessed with strength and masculinity, Janno is different, secretive, emotionally frail. One day his mother, fiercely religious, brings home Pieter, a hardened street orphan she wants to save, and asks Janno to make this stranger into his brother. The two boys start a fight for power, heritage and parental love.

This short film explores identity and sexuality within the Afrikaans minority culture of post-Apartheid South Africa through a fable about two brothers who descend into matricide and madness on a remote ostrich farm.

The Latino doorman of a New York apartment building begins to unravel when he is seduced and then dumped by a privileged college kid who lives in the building.