Buddha's Lock

Two independent stories involving chess wizards are interwoven to satirize the politics of the Chinese Cultural Revolution as well as Taiwan's capitalist boom of the 1970's.

Xiao Yu (Zhou), a barista and cake maker in a teahouse-café by Westlake in Hangzhou. Since a car crash long ago, she had been leading a peaceful life with her kind-hearted best friend and fellow car crash survivor Tong (Yim) who is unabashed in admitting that his feelings for Xiao Yu have developed into love. One day A Qin (Chen) celebrates his birthday alone in her café. Xiao Yu's curiosity sparks off their dialogues and both discover they have many parallels. But A Qin is a player who is escaping to Hangzhou from the pressures of his relationships in Beijing and Xiao Yu is pursued by Tong ... What will be their choices?

A romantic comedy directed by Hong Kong New Wave filmmaker Yim Ho.

When impoverished young bride Youyou (Zhang) collapses from hunger at the door of handsome buccaneer Pan Hao (You Yong), he immediately decides to have her, much to the chagrin of his current squeeze, Widow Ma (Jiang Yanqiang).

With World War 2 looming, a prominent family in China must confront the contrasting ideas of traditionalism, communism and Western thinking, while dealing with the most important ideal of all: love and its meaning in society.

Viewers of Hong Kong Cinema in 1980 could be forgiven for thinking the world was coming to an end. The old societal customs no longer held, and the new was open to endless possibility in the imagination, but narrowed by poverty and circumstance into a futile struggle to find some purpose, any purpose, worth having. In Patrick Tam's Nomad, teens hung out and tuned out of a society in which they couldn't find a place, but which wouldn't let them go except in death. In Tsui Hark's Dangerous Encounter - 1st Kind, the bored kids turn to a darker place, and get their kicks killing cats and making bombs, with however similarly disasterous consequences. Somewhere in the middle, then, sits THE HAPPENINGS, its teen protagonists neither dropping out of society nor willfully destroying it. Instead, they just carouse through life, drinking, dancing, partying, stealing, for no other reason than listless boredom. And very quickly, things start getting out of control

Stretching across the canvas of the Sino-Japanese War of the 30s, the subsequent Japanese surrender in 1945, and the onslaught of Communism, this film depicts an ill-fated romance between a talented lady novelist and a Chinese traitor working with the Japanese who fall victim to the mayhem of war and their tragic inability to reconcile political differences.

A comedy film directed by Hong Kong New Wave filmmaker Yim Ho.

Coral, a Hong Kong woman tortured by city life, went back to her home town to visit her two old friends. They all found that some precious things in life which disappear through the years could never be recovered.

Aggie is suffering a great pain after the death of her Grandmother. She has no one else so she moves in with her Godmother and her son, Louie. Aggie does not speak a single word, the pain she is going through is unimaginable, and this portrayal is simply stunning in its sadness and grief. Louie and Wah try to make her feel at home, and soon Aggie's passion for cooking shines through her sadness.