c̓əsnaʔəm: the city before the city

Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.

Bihttoš is an unconventional documentary that explores the complex relationship between a father and daughter. Through animation, re-enactments, and archival photos, writer/director Elle-Máijá Tailfeathers delves into the dissolution of her parents’ mythic love story and how it has colored her perception of love in her adult life.

After the justice system fails the survivor of a brutal, racially-driven sexual assault, she becomes a motorcycle-riding, ass-kicking vigilante who takes on the attackers of other women who've suffered the same fate.

Five Indigenous women filmmakers from across Canada challenge one another to make a film under a set of restrictions tailored to each filmmaker.

This ultra-short film proves that walls are real and borders are imaginary with an animated critique of long-term detention for minors in immigration centres.

A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.

When Áila encounters a young Indigenous woman, barefoot and crying in the rain on the side of a busy street, she soon discovers that this young woman, Rosie, has just escaped a violent assault at the hands of her boyfriend. Áila decides to bring Rosie home with her and over the course of the evening, the two navigate the aftermath of this traumatic event.