Captain Fury

As a penniless man worries about how he will manage to eat, he is joined by a young waif and her dog, who are in the same predicament. Meanwhile, across town a dishonest lawyer is working with a gang of criminals, trying to swindle an innocent young heiress out of her inheritance. As the heiress is on her way home from the lawyer's office, she notices the young man and the waif in the midst of their latest problem with the authorities, and she rescues them. Later on, the young man will have an unexpected opportunity to repay her for her kindness.

One Million B.C. is a 1940 American fantasy film produced by Hal Roach Studios and released by United Artists. It is also known by the titles Cave Man, Man and His Mate, and Tumak. The film stars Victor Mature as protagonist Tumak, a young cave man who strives to unite the uncivilized Rock Tribe and the peaceful Shell Tribe, Carole Landis as Loana, daughter of the Shell Tribe chief and Tumak's love interest, and Lon Chaney, Jr. as Tumak's stern father and leader of the Rock Tribe.

Cavemen Stan and Ollie vie for the affections of a stone-age beauty. The title refers to three animated pachyderms provided by Walter Lantz that fly past in one scene.

Luke happens into a spiritualist's shop where he is smitten by her daughter. He decides to stick around and take a job there.

A tipsy doctor encounters his patient sleepwalking on a building ledge, high above the street.

Part of a gold shipment has been stolen and the Sergeant suspects Louis LeBey. When Louis is attracted to newly arrived Nedra Ruskin, Woolie-Woolie becomes jealous and tells the Sergeant where Louis hid the gold. First Louis rescues the Sergeant whose dog team crashes chasing him and then he saves Nedra from an avalanche. When he returns the injured Nedra to the settlement, the Sergeant takes him prisoner.

In this Harold Lloyd short, a salesman demolishes a department store while helping the unlucky customers.

Luke attempts to sell books to a businessman and his wife.

A heat wave sends the residents of a New York City tenement to their fire escapes for whatever breeze is stirring. The tenants are a cross section of melting-pot culture: Irish, Jewish, German, and Italian dialetcs create a rich aural mix on the sound track. As small talk is exchanged among the residents of different floors, an off-camera hurdy-gurdy supplies an often ironic counter-point to the action