Cecchi Gori - Una famiglia italiana

At the heart of Fellini's I am a Clown is the strange and wonderful story of Peter Goldfarb, the very young American producer who in 1967 convinced Federico Fellini, the greatest Italian director, to work for the first time for American television. A story that has remained little known for half a century and which today - for the first time - brings the man who convinced Fellini to make a sort of mockumentary Federico Fellini’s Notebook, perhaps the first in the history of Italian cinema , using a scheme that the great author born in Rimini would have later reused with other films such as Intervista, Prova d'Orchestra and Roma. A human and artistic journey that would then be repeated immediately after with The Clowns, destined to make Fellini a forerunner of modern television.

Sophia Loren's story told by Loren herself. The greatest Italian movie star of all time describes her life and career through a selection of the materials dating from between the fifties and the present day preserved in the archives of the Istituto Luce Cinecittà and the Rai. An exploration of the myth of a "unique" actor, relying exclusively on precious and sometimes rare archive footage, with a commentary in Loren's own words drawn from over half a century of interviews and firsthand accounts of the most important moments in her private life and her career. A documentary made to celebrate this great actor's eighty years and her immense charm and talent.

"The Italian Jobs: Paramount Pictures e l'Italia" tells the story of two men, two Italian-American executives, Pilade Levi and Luigi Luraschi, who came to Italy at the end of the Second World War to recreate the Italian film industry; their work went on to have a significant influence on cinema worldwide. The idea of producing European films financed by American funds, in fact, originated in Italy with Paramount Pictures. Masterpieces such as Nights of Cabiria, Romeo and Juliet and The Conformist, to name just a few, were created precisely thanks to the work of these two men. The exclusive testimonies of Gioia Levi and Tony Luraschi, the children of the two executives, describe how their fathers were not only businessmen but how their lives were dedicated entirely to cinema.

Producer Alfredo Bini's life told through interviews with many of the people who knew him but, mostly, from the point of view of the hotel owner who put him up for the last 10 years of his life, when he was broke and homeless