Che cosa sono le nuvole?

Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.

The director presents takes and scenes filmed on location in Africa for a film-that-never-was, a black Oresteia.

This consists of four short films by different directors. Rosselini's 'Chastity' deals with an attractive air hostess who receives the unwelcome attentions of a middle aged American. Godard's 'New World' illustrates a post-apocalypse world the same as the pre-apocalyptic one but for an enigmatic change in attitude in most people, including the central character's girlfriend. In Pasolini's 'La Ricotta' (Curd Cheese), a lavish film about the life of Jesus Christ is being made in a poor area. The impoverished people subject themselves to various indignities in the name of moviemaking in order to win a little food. The central character is hoisted up on a cross for filming, and dies there. Finally comes Gregoretti's 'Free Range Chicken' in which a family of the materialist culture inadvertantly illustrate the cynical, metallic voiced doctrine of a top sales theorist.

The capital of Yemen, the city of Sana'a, holds an important part of history within its walls filled with medieval architecture and culture. But that same culture was about to disappear with the country's modernization which came after the civil war in the 1960's. To impeach such modern invasion, director Pasolini pledges to UNESCO for the recognition of Sana'a as a World Heritage Site.

Made as part of the omnibus film RoGoPaG, this short is a hilarious religious farce. At the Cinecittá film studio a director (played by Orson Welles) begins shooting a film dealing with Christ's cruxification. Among the cast is a Jesus who has sex with boys in the bushes, and a peasant who plays one of the thieves crucified alongside Jesus - the actor literally dies on the cross, but not of inflicted wounds, but of indigestion caused by too much cheese.

A wealthy Italian household is turned upside down when a handsome stranger arrives, seduces every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.

Based on the plot of Euripides' Medea. Medea centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.

Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex: he asks children where babies come from, young and old women if they are men's equals, men and women if a woman's virginity matters, how they view homosexuals, how sex and honor connect, if divorce should be legal, and if they support closing the brothels (the Merlina Act). He periodically checks in with Alberto Moravia and Cesare Musatti. Bersani is intrusive and judgemental, prodding those who answer. The film's thesis: despite the booming post-war economy, Italians' attitudes toward sex are either rigidly Medieval (the poor and the South) or muddled and self-censoring (the bourgeoisie and the North).

Pier Paolo Pasolini's Biblical drama follows the life of Jesus Christ as depicted in the Gospel of Matthew from the New Testament. Which focuses on the teachings of Jesus, including his parables, and on their revolutionary nature. As Jesus travels along the coast of the Sea of Galilee, he gradually gathers more followers, leading him into direct conflict with the authorities.

Appunti per un film sull’India is a short documentary film by Pier Paolo Pasolini where he visits India in the search of a king who could give up his body to feed a starving tiger. The film was shot around post-independent India when it was facing grave challenges of poverty, population and caste system. Pasolini narrates the challenges of India and its charms amidst all the problems the country faces. The 33 minute long documentary is composed of short interviews from random people about their opinions on matters such as family planning. The documentary also shows short interviews of journalists and one politician about the challenges of India to modernize without becoming westernized or losing the Indian identity.