Chido Guan, el tacos de oro

Mexico's submission for the Academy Award for Best Foreign Language Film in 1974

A small New Mexican village discovers a severed hand that is considered a miracle of God, when it actually belongs to a murdered spouse with a husband in search of it.

The spoiled rotten and utterly unlikable rich kid George Amberson becomes horrified when his recently widowed mother rekindles her relationship with the wealthy Eugene Morgan, who she left decades earlier in order to marry George's father. As George struggles to sabotage his mother's new romance, he must deal with his own romantic feelings for Morgan's daughter and the consequences of his meddling as his once great family falls into ruin due to his machinations...

Tita is passionately in love with Pedro, but her controlling mother forbids her from marrying him. When Pedro marries her sister, Tita throws herself into her cooking and discovers she can transfer her emotions through the food she prepares, infecting all who eat it with her intense heartbreak.

1905, the cinematograph has reached Southern Italy, and casts fear among the people to whom it seems a devilish trick. They call it "o 'imbroglie din t'o lenzuolo" - "The Trick in the Sheet", as white sheets were used for screening.

Shmuck makes a superhero costume, rides his bike to crime scenes. He gets involved with something big involving US capitalists taking over local Mexican businesses.

Mexico's submission for the Academy Award for Best Foreign Language Film in 1981

World War II vet Paul Sutton falls for a pregnant and unwed woman who persuades him -- during their first encounter -- to pose as her husband so she can face her family.

A young boy, his family, and the migrant workers they hire to work their cotton farm struggle against difficult odds to raise and sell the crop. Meanwhile, the boy dreams of living in better conditions. However, with this particularly tough farming season, the boy learns that his challenges guide him in discovering who he really is.

This fictionalized portrayal of Emiliano Zapata as an Indigenous Mexican shaman, directed by Alfonso Arau, was reportedly the most expensive Mexican movie ever produced, with a massive ad campaign, and the largest ever opening in the nation's history. Unusual in the Mexican film industry, Zapata was financed independently.