Chronicle of the Years of Fire

During the Algerian war of independence, one of the FLN's leaders was arrested by the army, which uses the most violent methods to make the prisoners talk. The use of torture poses a case of conscience to a French officer. A play between the field against the field, between the tortured and his torturer, behind a stifling closed door.

Directed by Mohammed Lakhdar-Hamina.

The film is set against the backdrop of the Algerian War. A determined French commander, who believes Algeria belongs to France, must deal with a soldier who rebels when asked to execute an Algerian freedom fighter. The finale is set in the blistering desert as the soldier seeks to escape

This black-and-white film – the first road movie of Algerian cinema – presents one of the most readily apparent, though subtle, transformations of the daily life of the people of Algeria brought about by the ordeal of French occupation and the war of liberation. With military repression in full force, a peasant woman finds herself alone in her house in the mountains when her only son is taken away by French soldiers soon after her husband is killed in a raid. One day, on seeing a dead chicken, which she considers a bad omen, she decides to leave home, and sets off on a tiring journey through the mountains. With a pair of chickens in tow, she moves from one detention camp to the next in a desperate search for her missing son. The film was inspired by events experienced by the family of its director.

A poetic essay. An Algerian soldier wanders through Algiers and the countryside, whilst a voiceover of the soldier's mother laments his death.

Seen right through the sandstorms that rack the lives of a tribe living on a desert oasis, is a subtle and not-so-subtle mistreatment of the female members of the tribe - tribal chiefs have the right to be the first to deflower virgins, and single or widowed mothers must walk a narrow line of behavior restrictions that do not apply to their male counterparts. Both genders, however, fight the brunt of the harsh desert winds together.

Seen through the filtered lens of boyhood memories, award-winning director Mohamed Lakhdar-Hamina crafted this half-fictional, half-autobiographical account of a brief period in the history of an Algerian village. It is 1940, and the quiet town is ruled by French colonialists appointed by the Vichy government. Algerians are being called up for service in the Vichy military, and Jews in the village are in danger of deportation. A beautiful young schoolteacher named Claire Boyer (Veronique Jannot) arrives in town and turns every male head within miles, including 14-year-old Mouloud (Merwan Lakhdar-Hamina, the director's son). Simon Attal (Michel Boujenah), a fellow teacher and a Jew, is also attracted to Claire, and so is Mouloud's older brother. Suddenly two murders occur in the village, Simon is in danger of being deported, and the tone shifts from the dreams of boyhood to the realities of manhood.