Also Directed by Émilie Deleuze
A teen party gone out of control provides the focus of this drama which explores the transitions of youth in a transitional time set in the post-disco, pre-punk, early 1980's. Ariane, a teenager, is rebelling against her father and her boyfriend Pierre. She decides to hold a small party. The party is crashed by a large crowd of rude outsiders who proceed to destroy her home. Afterward, Ariane must face her obsessive neatness.
Twelve short stories about racism in every day life
On the spur of the moment, 30-year old Alain gives up his well-paid job as a tester of computer games, but is uncertain over what do next. He takes up the offer of a place on a course to learn how to operate a bulldozer, although this means spending time away from home. During his training, he is paired up with a child-like younger man, Manu, who is passionate about wanting to drive a bulldozer but has no aptitude for the job. While his marriage starts to fall apart, Alain finds himself becoming more dependent on his relationship with Manu.
In order not to be thrown from his big Parisian apartment by his sister, the idiosyncratic pensioner Joseph takes the 20-year-old farmer's daughter Marilyn with him. She wants to complete an apprenticeship as a make-up artist in the capital, preferably for horror films. An unequal pair, which soon finds attraction as well as rejection.
They’re all nuts. Her parents, who want to send her off to boarding school. Her new teacher, who expects her to read impossibly old books. Her fellow band members, who make her sing ridiculous lyrics and dress her up in a frilly white dress for their first show. Everyone seems to know what she should do and how she should act. And it’s not like 13-year-old Aurore has any fundamental problem with changing herself either. Who would want to be like this: unhappy, ugly and emotionally withdrawn? But the others don’t seem all that much happier to her either. She definitely doesn’t ever want to be as old, rundown and lonely as her mother. And so she prefers to stay the way she is, to observe and make her biting comments on whatever comes her way.
