Con el miedo en las venas

ERENDIRA IKIKUNARI is a beautifully shot action film that recreates the 16th century legend of Erendira, a young Purepecha woman who became an icon of bravery during the destruction of indigenous Mexico by the Spanish conquistadors. When the Spanish arrive, they take advantage of the discord and conflict among the Mexican natives, reaping the benefits of a region divided. Erendira, a young Purepecha women on verge of marriage, refuses to allow her land to be destroyed and stands up to the social conventions prohibiting women to participate in battle. In the face of the invasion, she steals and learns to ride a horse against the Spanish, winning the respect of her tribal leaders. Along her amazing journey, she becomes a symbol of strength and resistance within her culture. This feature length film was shot entirely in the original Purepecha language.

When King Motecuzoma dies in 1468, a drought sets upon the Mexicas' land. The younger Motecuzoma sends a retinue to collect tributes from the peasants and make an offering to Coatlicue at Aztlán, the home of their ancestors. The peasant Ollin finds a discarded tribute and makes his own journey to Aztlán to appease his rulers.

A woman who escapes an overwhelming reality into a world of nightmares, by eating the forbidden fruit of Paradise's Tree of Eternal Life; a very frustrated man, both in his professional and love life, whose serial killer dreams may become a reality; and an autobiographical documentary on the director's healing process of a terminal cancer. A film divided in three chapters: heaven, hell and the world.

Documentary about the Tlalocan, known to the Nahua people as the otherworldly paradise.

Volarte is a free flight through a computer generated Palace of Fine Arts, offering the murals of Rivera, Orozco, Siqueiros, Tamayo, Montenegro, Rodríguez Lozano and González Camarena. A novel view that allows to enjoy these works of art in their architectural context, in a way that's impossible in reality

The strange relation between two brothers.

Fortuna is a Mexican Spanish language telenovela produced by Argos Television for Cadena Tres. It stars Andrés Palacios and Lisette Morelos.

Director José Luis García Agraz, an independent filmmaker, opens this fast-paced drama with a murder and in flashbacks tells the story of how the assassin, Rodrigo Saracho (Gonzalo Vega) was caught in circumstances slightly beyond his control and left with no way out except to descend further and further down the moral scale. The man remembers how he began as an aspiring boxer in Mexico City, innocent of the seamier side of the ring, and how crime bosses slowly involve him first in a few "minor" transgressions, such as throwing a fight, and then in ever-more-serious criminal activity.

Susana, a beautiful young girl living in 1990, is happily looking forward to her forthcoming marriage - and has bought an antique mirror to grace her future home. Three weeks before the wedding, the mirror is delivered to her Grandmother's home and taken to Susana's room. Later that day, when looking into the glass, Susana is startled to see the image of a handsome soldier, Nicolas (from 1863), instead of her own reflection. It soon becomes obvious that he can see Susana as clearly as she can see him - and life, for them both, is never quite the same again. Contains three shorts as a trilogy: The Two Way Mirror (El espejo de dos lunas) 1990, 0:29:23 With You from a Distance (Contigo en la distancia) 1991, 0:27:38 Saturday Night Thief (Ladrón de sábado) 1996, 0:24:57

A minor jungle adventure in which a singer (Linnea Quigley) is held captive by whitewashed Central American natives who worship her because she looks like their idol. Or maybe it's because she also looks a little like Goldie Hawn. At any rate, she is rescued by her friends and they outleg the tribesmen and a horde of pirates to stumble across, what else, a lost treasure.

In this remake of the 40's classic, two lovers murder each other, leading to an investigation and the closing of the Saln Mxico, a famous place where people used to go to dance before WWII. The police investigation leads to several flashbacks about the life and death of a low-life dancer named Mercedes (Maria Rojo) and her lover.

It is said that Nobel Prize winner Gabriel Garcia Marquez never allowed for a film adaptation of his singular masterpiece 'One Hundred Years of Solitude', arguably the most influential novel in any language of the second half of the twentieth century, to be produced. However, the prolific Colombian writer had strong ties to the movies.

An unseen person enters a taxi late at night. Suddenly the taxi driver is stabbed with a large metal knitting needle. From there we meet our female killer. Catalina is a very plain Jane looking young lady. She wears some geeky glasses and usually dresses very conservatively. She lives with her grandmother and they both seem to loathe men. Catalina’s grandmother mentions that her late daughter/Catalina’s mother was troubled by men and that cost her her life. Catalina and her mother resemble each other. At night, Catalina awakens by the vengeful spirit of her mother to advise her to go out and kill men. The kind that only want to take advantage.

He drinks too much, his primary relationship just ended, and he can't finish his screenplay.