Also Directed by Sandra Werneck
Pornography is a film-manifesto. An outburst against the summary execution of Brazilian cinema. It is simple and straightforward: explicit sex, on-screen text, National Anthem.
Jessica, Sabrina and Daiane have dreams, just like all young people of any social class or place in the world. They live in a low-income neighborhood in the periphery of Rio de Janeiro and find in prostitution a way to survive and satisfy their consumer desires. However, even faced with the trials of absolute uncertainty and lack of hope, Jessica, Sabrina and Daiane insist on loving, having fun and planning their future.
“Touch one, touch us all” is a slogan of the women who took over the streets in Brazil and organized themselves in social networks to face male chauvinist and conservatism. Through testimonies of women who have been subjected to violence, the documentary reveals that, despite legal achievements, the woman still remains vulnerable. Amongst other deponents are Maria da Penha, Joanna Maranhão, Luíza Brunet, and Clara Averbuck.
There is a silent and not officially declared war. A minefield where there is a battle of unequal forces. A combat without causes, disputes or conquests, where the combatants do not even distinguish their enemies.
Inspired by the moving book “Só as Mães São Felizes”, by Lucinha Araújo, Cazuza's mother, the film covers a little more than 10 years of the singer’s crazy and brief life – from the beginning of his career in the Circo Voador venue, in 1981, to the huge success and the apotheosis of his shows with the Barão Vermelho band, his solo career, his relations with his parents, friends, lovers and passions, and the courage he had to face his final years, with HIV, until his death, in 1990.
A documentary dramatized on the daily life of a women's prison: Instituto Penal Talavera Bruce, in Bangu, Rio de Janeiro. The film reveals the struggle for survival within this micro-society that is formed between the walls, the relationship of these women with the penal institution, with justice and with the outside world. Through work, leisure, leisure, affective relationships and the social and sexual roles that each one assumes in prison, the film shows the relationship between people, the struggle for survival within this micro-society that is formed between the walls, the relationship of these women with the penal institution, with justice, and with the outside world.
Luiza is an architect who just got out of a ruined relationship. Gabriel is a biologist and he has finished a long-term marriage with divorce. When they both meet, chances that they can do well together are not that big. But they will try to, even if their friends Barata (a convict bachelor totally skeptical when it comes to love) and Marta (a mathematic analyst who wishes that human relations were just as exact as numbers are). Written by Pedro Aguiar
Fifteen year ago, Carlos went to the cinema to meet Júlia, his university colleague with whom he was in love. She never showed up. Carlos was left waiting in the lobby alone. While he waits, something happens which will change his life. A scene, an encounter, an unfinished sentence... Something insignificant, but which will determine the character's life. Fifteen years later, we follow three completely different versions of Carlos's life. In one, he is a man divided between the stability of a secure life in a lukewarm marriage, and the growing desire to live a great love affair. In the second, he is homosexual and places passion above all else. In the third possible life, Carlos is a man who hasn't yet discovered love, and lives through successive disastrous relationships in search of the perfect woman. One of them is his real life. Another is not his life. And a third is the life he'd like to lead. Which is his true life ?
