Death of a Salesman

In the early 1900's Tennessee, a loving family undergoes the shock of the father's sudden, accidental death. The widow and her young son must endure the heartache of life following the tragedy, but slowly rise up from the ashes to face the hope of renewed life.

Landmark adaptation of the Arthur Miller play. Nominated for 3 Emmy awards.

In 1956, BLOOMER GIRL was presented in a live television production starring the magnificent Barbara Cook, whose star was then on the rise, with leading roles in CANDIDE and THE MUSIC MAN still in her future. A solid success when it opened on Broadway in 1944, BLOOMER GIRL boasts a glorious score by the legendary team of Harold Arlen and E.Y. Harburg (THE WIZARD OF OZ). The book by Fred Saidy is set at the brink of the Civil War and addresses issues of women's equality (priorities were the right to vote and to wear bloomers, a liberating alternative to hoop skirts) and racial equality.

An Ingmar Bergman script. Produced for Swedish Television as "Reservatet" (1970) and for BBC as "The Lie" (1971). An American couple is trapped in their marriage and way of life. Locked up in their bourgeois inferno.

A rich man (Glenn Ford) stuns his wife (Donna Reed) and town with a televised threat to his son's kidnapper.

Hedda Gabler has just come back from her honeymoon, married to boring but reliable academic George Tesman. Refusing to tie herself down in life and name, Hedda is banking on George being appointed a professorship to secure a better life for the young couple, However, the arrival of cleaned up ex-lover Eilert threatens to destroy everything.

The misadventures of a salesman and a sexologist with the audience deciding on the various separate plots.

Loosely based biography of 1930s star Jean Harlow as she begins her climb to stardom. One of two "Harlow" film biographies that appeared in 1965, this one stars Carol Lynley in the title role that begins as Jean Harlow, a bit player in Laurel and Hardy comedies, is invited to test for director Jonathan Martin for the lead in Howard Hughes's "Hell's Angels." She is an instantaneous sensation, and in a series of films devoted more to her body than her talent, she becomes Hollywood's "Platanum Blonde."

Carl Brown and Annie McGairy are in love. Their Irish immigrant parents knew each other in the old country - and Carl's parents want better for their son than Annie, who was raised in the slums. When Annie runs away to marry Carl while he's at college, they have many difficulties, including a college Dean that frowns upon married couples, Carl's angry parents, Carl's jealousy, and Annie's own problems with her sexuality.