Also Directed by Edgar Pêra
Short documentary about football (soccer) supporters in Portugal
Edmund Husserl observed: "All perception is a gamble", which Robert Anton Wilson expands upon when he suggests that "[others] just have a different reality tunnel, and every reality tunnel might tell us something interesting about our world, if we are willing to listen." All seen through the mirror of João Queiroz’s art.
Braga’s Estádio Municipal was erected for the EURO 2004 championships. So can it be a surprise that the first association this all-seater arena provokes is a Roman circus, with a disconcerting Estado Novo-finish? Is FIFA therefore the Quinto Império realized, and its former president Sepp Blatter The Hidden One having an identity crisis?
A kino-investigation about spectatorship, a continuous conversation between different kinds of spectators: which one is more cinema: Citizen Kane on a mobile phone or a football game projected in a cinema theatre? What is the cinema of uncertainty? How many kinds of amazement exist? Does fear and belief precede amazement? What are the rights and duties of the spectator? Is the essay film a manifesto against voyeurism? Should spectators be paid? What amazes the spectator of this day and age?
Documentary about 4 large architectural landmarks that projected Portugal abroad.
A bizarre and tragic ballad of an impossible love between a nameless topographer and Leonor in a swamp soon to be destroyed by the forces of Man. She (Teresa Salgueiro, ethereal voice of Madredeus) is the “swamp-flower”, protégée of a Socratic Director (and his goat Plato). In a world without women, she is kept safe from the temptations of the flesh by her strict and grotesque Aunt. The sound-track entirely played by the workers (fado and bossa nova singers) reveals parallel narratives of suspicion and conspiracy that unfold to the pace of the unconscious leading to a confrontation between Man and River. Inspired by a hypnotic story by Branquinho da Fonseca (1905-1974).
During a night of humiliation, Raymond lives an inner revolt and a kaleidoscopic journey in a country that is about to collapse.
Death is the great equalizer, if only due to the rites celebrated by the living. And thus, after their earthly existences ended, Ioannes Paulus PP. II. and Communist revolutionary-turned-politician Álvaro Barreirinhas Cunhal suddenly had a lot in common. Two funerals, one soundtrack. Lots of questions.
Terrence McKenna: "What is real is you and your friends and your associations, your highs, your orgasms, your hopes, your plans, your fears." Aleister Crowley: "I am divided for love's sake, for the chance of union." Pessoa: "We never love anyone. What we love is the idea we have of someone." A music-text-collage-trance.
