Der Tod zu Basel

In a small Swiss village, a school sports coach is accused of molestation by the mother of one of his pupils. The citizens are outraged…that the mother could make such a claim – for the coach she accuses is a local hero, a former world champion who has become the town’s closest thing to a sporting legend.

The young, despotic and untalented artist Adolf Hitler comes to Vienna to study art. He befriends the Jew Schlomo Herzl working on a novel with the title "Mein Kampf". Hitler is rejected by the Vienna Academy of Fine Arts. Herzl's concern for the sad young man continues, and leads him to a new career with disastrous consequences for world history.

After the death of their parents, the sisters Astrid and Britta want to make the Winkelmann fashion house number one in their hometown. Astrid accepts that her already troubled marriage to Bernd suffers from the ambitious goal - until Bernd agrees to have a relationship with Britta. When she gets pregnant, there is a scandal between the sisters.

Urs Odermatt’s auditions are famous and notorious. When you get his call-back, there’s only a yes or no. Many say no – stripped, soaked in icy water, slapped in the face in front of the camera. It doesn’t get any worse!

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.

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