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Diane
Diane is a devoted friend and caretaker, particularly to her drug-addicted son. But as those around her begin to drift away in the last quarter of her life, she is left to reckon with past choices and long-dormant memories.
Kent Jones
Kent Jones
Casts & Crew
Mary Kay Place
Jake Lacy
Estelle Parsons
Andrea Martin
Deirdre O'Connell
Glynnis O'Connor
Joyce Van Patten
Kerry Flanagan
Celia Keenan-Bolger
Ray Iannicelli
David Tuttle
Marcia Haufrecht
Mike Hartman
Cara Yeates
Gabriella Rhodeen
Charles Weldon
Paul McIsaac
Laura Knight
Teri Gibson
Ann Osmond
Dierdre Friel
Lisa Randleman
Mary Fuller
Danielle Ferland
Rebeca Martínez
Robert Vincent Smith
Matías Piñeiro
Patrick Husted
LaChanze
Jenny Kirlin
Barbara Andres
George Riddle
Joanna Brumley
Steven Patrick O'Connor
Jermaine Wells
Eric M. Wilson
Norman Aaronson
Lorenzo Beronilla
Jennifer Delora
Dave Dyshuk
Lew Gardner
Andrew Geher
Diana Greenhut
Rosemary Howard
Joe James
Ann Lucente
Pedro Tweed
Also Directed by Kent Jones
Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.
Director Martin Scorsese speaks candidly and passionately about one of his formative filmmaking influences: the late Elia Kazan. Utilizing precisely chosen clips from Kazan's signature films including "On the Waterfront," "A Streetcar Named Desire," "Gentleman's Agreement," "Baby Doll," "A Tree Grows in Brooklyn," "A Face in the Crowd," "America, America," and "The Last Tycoon," and interview footage of the director himself, co-directors Scorsese and Kent Jones recount the director's tumultuous journey from the Group Theatre to the Hollywood A-list to the thicket of the blacklist. But most of all, they make a powerful case for Kazan as a profoundly personal artist working in a famously impersonal industry.
A 25-minute visual essay by Kent Jones about Jean-Luc Godard and his film 'Weekend'.
Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often included strong female characters who find themselves in difficult situations and who have to grow up quickly. He is best remembered for the horror films he made at RKO starting in 1940. Starting with only a title - his first was The Cat People - he would meticulously oversee every aspect of the film's completion. Although categorized as horror films, his films never showed a monster, leaving it all to the viewers imagination, assisted by music, mood and lighting.
Film-maker Martin Scorsese looks back over the impact of The Statue of Liberty on the twentieth century, her evolution and what she meant to people of the past and what she continues to mean after September eleventh, 2001.