Die Entführung aus dem Serail

NORMA tells the tragic story of a supposedly chaste druidic priestess, who is driven to murderous jealousy by her lover's inconstancy. But she forgoes vengeance, protects innocence, and sees to it that the guilty atone for their crimes. Fiorenza Cedolins, Sonia Ganassi, Vincenzo La Scola, and Andrea Papi star in this 2007 Gran Theatre Del Liceu/Grand Theatre de Geneve co-production of the Bellini opera.

Obsessive in gambling and in love, the soldier Hermann is the protagonist of Tchaikovsky’s Pique Dame, based on a story by Pushkin. He is smitten with the aristocratic Lisa and fixated on learning the winning secret of ‘the three cards’ from her grandmother, the Countess, played by iconic contralto Ewa Podles. This opulent production from Barcelona’s Liceu captures St Petersburg in the era of Catherine the Great, while the house’s Music Director Michael Boder conducts a large and impressive cast. Recorded at the Gran Teatre del Liceu, Barcelona, 30th June & 1st July 2010.

After many years of wandering around the world, an anxious composer chooses love over art. But it may be too late to salvage either. Franz Schreker was a popular composer in the early decades of the 20th century, until his music was banned by the Nazis because he was of Jewish background. Der ferne Klang, his first major work, is a late Romantic opera of grand passions. Director Christof Loy is back at the Royal Swedish Opera with a production set in a dreamlike mise en scène.

The libretto of the most well known opera by Dvořak, which premiered in Prague in 1901, is inspired by the Czech version of the Central European folktale, one we also know as Undine (1811) by Friedrich de la Motte Fouqué or The Little Mermaid (1837) by Hans Christian Andersen.

New peoduction, 2009. Filmed by the Royal Opera House in co-production with Opus Arte, June 13/17.

As Christof Loy put it: Così fan tutte invites us to embrace the complexity of life and face the future with heads held high. In his staging of the version he abridged with Joana Mallwitz for the Salzburg Festival 2020 the focus is wholly on the figures and the subtle choreography of their emotional states — in a space that like a magnifying glass exposes the intricate mechanisms between the characters. In this way the production leads the protagonists and the audience to experience the ‘serene calm’ that can perhaps indeed cure our own ‘distempers’.

Les vêpres siciliennes, like the similarly epic Don Carlos, was conceived as a grand opéra for Paris and is driven by the tensions between private passions and public politics. Originally set during Sicily's 13th-century uprising against French rule, in Christof Loy's staging for the Netherlands Opera the action is transposed to a 1940s world of sudden violence and shadowy double-dealing. Imaginatively cast and idiomatically conducted, the performance presents this magnificent score in its entirety, including the allegorical ballet The Four Seasons.

One moment the singer Floria Tosca is standing on the stage, next moment she is the key figure in a deadly political intrigue sparked by jealousy and the craving for power. Giacomo Puccini’s thriller continues to captivate audiences to this day. Helsinki presents an audacious new production of this classic directed by Christof Loy. Award-winning German director Christof Loy promises a new and original vision of Puccini’s masterpiece. Lithuanian soprano Aušrinė Stundytė has the title role for the 2018/19 season, Italian tenor Andrea Carè plays the artist Cavaradossi and Finnish baritone Tuomas Pursio the power-hungry Scarpia. The conductor is Patrick Fournillier.

Live from Munich 2009

Live from Munich, 2005. London, 1601: love, lust and a death sentence at the English royal court - that's just the mix for great Italian opera. Roberto Devereux - an opera for a sovereign, a work for Edita Gruberová! The prima donna assoluta of bel canto triumphs in this drama. Either an opera house can acquire the services of "la Gruberová" - or they can forget putting on this opera.

Webers great heroic-romantic opera Euryanthe premiered in Vienna in 1823. It concerns the wronged Euryanthe, victim of a plot to establish her unfaithfulness, but her love imbues her with colossal strength which Weber characterizes with acute psychological insight. Through-composed and dispensing with spoken dialogue, its chivalric plot provides opportunities for a series of arias, ariosos, duets, cavatinas and choruses that contain some of his greatest operatic music. This production employs the operas original version with a few, very minor cuts.