Die Marquise von O...

Film by Syberberg.

Die Nacht ("The night") is a 1985 West German installation film directed by Hans-Jürgen Syberberg. It consists of a six hours long monologue performed by Edith Clever, who reads texts by Syberberg and many different authors, such as Johann Wolfgang von Goethe, Heinrich von Kleist, Plato, Friedrich Hölderlin, Novalis, Friedrich Nietzsche, Eduard Mörike, Richard Wagner, William Shakespeare, Samuel Beckett and chief Seattle. The film was screened out of competition at the 1985 Cannes Film Festival. (from: https://en.wikipedia.org/wiki/Die_Nacht)

Film by Syberberg.

This surrealistic experimental film finds the son of a young nobleman staying with hash-smoking hippies in a seamy section of Munich. He falls for a hippie girl who is involved in shaking down the young man's parents for money. She falls in love with the young man but the group continues to extract money from the parents in return for their wayward son. When he discovers the shakedown, his rage leads to tragedy for the star-crossed lovers.

'Mozart Requiem mit dem Finger gelesen' belongs to a group of 31 films which were made for the room 'Cave of memory' at Documenta X (1997).

Hans-Jürgen Syberberg’s epic interview with Winifred Wagner in 1975.

A Teutonic lecher on vacation has a wager with some local peasants that he can't make a walking circle from sunrise to sunset to secure some coveted land. The middle-aged businessman embarks on his journey only to be slowed down by the beautiful reporter Scarabea. With thoughts of drunkenness and sex on his warped mind, the man tries to circumnavigate the parcel of property. The story is a retelling of an ancient folk tale told by Tolstoy where the initial victim bets his soul to Satan against the land he desires.

Documentary film that examines the rise and fall of the Third Reich, incorporating puppetry, rear-screen projection, and a Wagnerian score into a singular epic vision. The director, who grew up under Nazi tyranny, ruminates on good and evil and the rest of humanity's complicity in the horrors of the holocaust.

Reflected in an artificial and bombastically staged illusory world with Wagnerian compositions, glossy and satirical time references, 19th century German figures and traditions are stripped of their mythology and interpreted by the Germany of 1972.