Die Tänzerin - Lebe deinen Traum

GSG 9 is a German TV-series about the special unit GSG 9 der Bundespolizei of the German Federal Police. It premièred in the Spring of 2007. Its original title, GSG 9 - Ihr Einsatz ist ihr Leben, is a pun on the word Einsatz. Einsatz can be translated as "mission, stake, bet, dedication", depending on the context. Thus, it can be translated as, GSG 9 - Their Mission Is Their Life or GSG 9 - They Put Their Lives at Stake.

Wilsberg is a German TV series based on novels about the fictional private detective Georg Wilsberg. A first TV episode was aired in 1995, five years after the release of the first novel, starring Joachim Król. Since the second episode, Georg Wilsberg is portrayed by Leonard Lansink.

Two beautiful young women kill men in a villa in Tuscany: Maya and Cora have been friends since childhood. Maya has an alcoholic artist father who deserted the family, a mentally disturbed mother and a violent brother, Carlo. Cora is from a wealthy middle-class family. Cora helps Maya to poison Carlo's friend Detlef, who is threatening to blackmail her. They then kill Carlo when he tries to rape Cora. Cora's family takes Maya in, and a happy time begins for her, particularly when they spend the summer in Italy.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.