Die Verhoevens
The history of a family, in the film business now for three generations, behind and in front of the camera. The film is not only a foray through the history of this remarkable family, but also through the history of German film and contemporary history as well.
Felix Moeller
Felix Moeller
Casts & Crew
Michael Verhoeven
Senta Berger
Mario Adorf
Stella Adorf
Doris Schade
Volker Schlöndorff
Lena Stolze
Luca Verhoeven
Simon Verhoeven
Suzanne von Borsody
Hans Helmut Prinzler
Also Directed by Felix Moeller
Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.
Though almost forgotten today, Veit Harlan was one of Nazi Germany's most notorious filmmakers. His most perfidious film was the treacherous anti-Semitic propaganda film Jud Süß - required viewing for all SS members. An unrepentant and blindly obsessive craftsman, no figure - save for Leni Riefenstahl - is as closely associated with the cinema of the Holocaust years. (Harlan's epic Kolberg was the basis for Inglourious Basterds's pivotal film-within-a-film Stolz Der Nation.) This documentary is an eye-opening examination of World War II film history as well as the story of a German family from the Third Reich to the present; one that is marked by reckoning, denial and liberation.
A documentary about the life of the actress Hildegard Knef.
West Germany in the 1970s. Many artists, journalists and intellectuals were branded as sympathizers of Baader-Meinhof's left-wing terrorism. The parents of the director, too: Margarethe von Trotta and his stepfather, Volker Schlöndorff. With extensive archive materials and film clips as well as Margarethe von Trotta's private diaries the film portrays one German family and the society of the time.
Anti-Semitism is on the rise worldwide, driven to new extremes by the COVID crisis. This film documents the visual roots of this new anti-Semitism, taking a historical look at the visual propaganda of the Nazis.